“Ya Wanna Do It Here Or Down The Station, Punk?”: Charlie Stella

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
THE FRIENDS OF EDDIE COYLE by George V Higgins.

What fictional character would you most like to have been?
The supposedly well-hung Santino Corleone.

Who do you read for guilty pleasures?
If only Glee were a book ...

Most satisfying writing moment?
First sale.

The best Irish crime novel is …?
Ken Bruen’s THE DRAMATIST.

What Irish crime novel would make a great movie?
The same (DRAMATIST).

Worst / best thing about being a writer?
Worst = money.
Best = fans (all 16 of them).

The pitch for your next book is …?
A retired organized crime cop drops his wife off at an arts and crafts weeklong program on an island off the coast of New England (Star Island, where I’m doing my MFA actually) and spots someone he knows is in the witness protection program. The retired cop is unhappy at home and thinking maybe he should sell the rat back to the mob and enjoy his last few years on planet earth with gusto.

Who are you reading right now?
David Carroll, ALBERT CAMUS THE ALGERIAN

God appears and says you can only write OR read. Which would it be?
Read.

The three best words to describe your own writing are …?
Honest, humorous, ugly.

Charlie Stella’s JOHNNY PORNO is published by Stark House.

Make Mine A Shandy

An intriguing proposition hoves over the horizon, being Michael Sheridan’s true crime offering MURDER AT SHANDY HALL: THE COACHFORD POISONING CASE. To wit:

Cork, May, 1887. Murder stalks the countryside. Against a tranquil rural backdrop the sleepy County Cork village of Dripsey, near Coachford, a sensational Victorian murder is played out with a potent mix of love, lust, betrayal, and ultimately naked hatred. The entry of a young and beautiful governess into Shandy Hall, the home of a retired British Army surgeon Dr Philip Cross, acts as a catalyst for an act of horror that prompts suspicion, an exhumation, an inquest, and a charged courtroom drama that grabs newspaper headlines all over the world. The nation is transfixed by details of a murder which shatters the Victorian ideal of the home as a safe haven of privacy and comfort, and besmirches the blue-blooded reputation of an aristocratic line. The cast of real characters includes a cruel killer, cloaked in respectability; a beautiful and naïve governess; a blameless wife; a brilliant young pathologist; a canny and clever murder detective; two accomplished courtroom adversaries; a caring and emotional judge; and a notorious hangman. The unravelling of this true-life murder mystery will send a chill through your bones.

  Sheridan’s previous books include DEATH IN DECEMBER: THE STORY OF SOPHIE TOSCAN DU PLANTIER and A LETTER TO VERONICA: THE LAST DAYS OF VERONICA GUERIN, both true crime accounts. He’s not shy about raising the bar on himself, either. In his introduction, he has this to say:

“There is nothing ever new under the sun and the fact of murder echoes in our ears, in hour hearts and in our minds. And yet [murder] is an enduring mystery - one that drove the greatest writers over the generations, like Dickens, Dostoevsky, Wilkie Collins, Conan Doyle, Camus, Capote and Mailer to even greater heights of expression to get to its essence.”

  So - can Michael Sheridan’s SHANDY HALL cut the mustard alongside the greats? Only time, that notoriously doity rat, will tell …

“Ya Wanna Do It Here Or Down The Station, Punk?”: Michael Harvey

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
Hmm ... I can think of three and can’t pick between them. THE LONG GOODBYE, THE GREAT GATSBY, THE SUN ALSO RISES.

What fictional character would you most like to have been?
Sam Spade ... is there any other answer?

Who do you read for guilty pleasures?
Clive Cussler, Eric Ambler, Homer.

Most satisfying writing moment?
Chapter 41 of THE CHICAGO WAY. Not sure if it’s my favourite passage, but I remember writing it and feeling it in my bones.

The best Irish crime novel is …?
RESURRECTION MEN by Ian Rankin. Scottish, but close enough. (BTW, don’t say that too loud in Glasgow.)

What Irish crime novel would make a great movie?
RESURRECTION MEN by Ian Rankin.

Worst / best thing about being a writer?
The best thing is that it’s just you and your characters. The worst thing is that it’s just you and your characters. Make sense? It’s not supposed to. The bottom line is that writing a novel is one of the purest human endeavours anyone can undertake. It uses up no natural resources and creates something out of nothing. Not magic ... hard work ... but pretty damn cool.

The pitch for your next book is …?
A sequel to THE THIRD RAIL. It starts up a week after THE THIRD RAIL ends and all hell breaks loose.

Who are you reading right now?
Got a few going. Cormac McCarthy, Albert Camus, Aeschylus, Alan Furst and Daniel Silva.

God appears and says you can only write OR read. Which would it be?
Yikes ... I’m Irish Catholic. We don’t like to tempt fate and we don’t like these questions. If I were still a child, I’d say read. Right now, I guess I’d say write.

The three best words to describe your own writing are …?
Physical, cinematic, honest.

Michael Harvey’s THE THIRD RAIL is published by Knopf.