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There’s probably no bad time to be
John Connolly (left), but right now the reviews for The Unquiet are coming in like choppers at Da Nang. Says JC Patterson over at the
Clarion Ledger: “Enter the dual world of Connolly, where the tangible and the metaphysical often collide, emitting sparks of blood, phantom whispers and the secrets that entomb the living.” Hurrah! As for
The Patriot News: “His Parker novels are far from typical whodunits but are multilayered offerings that peel away the soul of the world-weary Parker and most anyone who comes in contact with him,” says Mary O. Bradley. Delia Barnard of the
Sunday Life weighs in with, “A lush story with rich characterisation … with frequent touches of wry humour as the good, the bad and the grey characters are cleverly picked over for the readers’ rich enjoyment.” Nice. Then there’s
The Telegraph: “Connolly’s books often contain passages of horrific violence, but The Unquiet is less violent and more subtly disturbing.
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As usual, there is an element of the supernatural, taking the reader into a place where the real, contemporary world is touched by something from our worst nightmares, and he does it in lyrical, almost poetic language which grips and chills.” Woo-hoo! Had enough? Didn’t think so … Here’s an interview with Big Bad John over at the deliciously monikered
Culture and Carnage, in which our hero waxes rhapsodical about the delights of his work in progress, The Reapers, and, erm, getting old: “It’s strange to think that The Reapers will be my tenth book. It really doesn’t seem that long ago since I was writing Every Dead Thing. Then again, I only have to compare my jacket photos then and now, and count the grey hairs, to realise that, actually, it was quite a while ago …” Jeez, John - we'll trade you a few non-grey hairs for a few million of your sales, eh?
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