Showing posts with label Crime Always Pays. Show all posts
Showing posts with label Crime Always Pays. Show all posts

Wednesday, April 22, 2015

News: CRIME ALWAYS PAYS Shortlisted for Goldsboro Award at Crimefest

As you might imagine, I’m absolutely delighted that CRIME ALWAYS PAYS (Severn House) has been shortlisted for the Goldsboro Last Laugh Award; as the title suggests, the award is given for comic / humorous crime fiction, and as such is something of a rarity. And the Three Regular Readers will know, of course, that I have a soft spot for this particular award because I’ve previously managed to win it, improbably enough. Anyway, the Crimefest blurb runneth thusly:
GOLDSBORO LAST LAUGH AWARD

The Goldsboro Last Laugh Award is for the best humorous crime novel first published in the British Isles in 2014. The £500 prize is sponsored by Goldsboro Books, the UK’s largest specialist in signed and/or first edition books. The winner also receives a Bristol Blue Glass vase.

The nominees are:

– Lawrence Block for The Burglar Who Counted the Spoons (Orion Publishing Group)
– Declan Burke for Crime Always Pays (Severn House Publishers)
– Christopher Fowler for Bryant & May – The Bleeding Heart (Bantam/Transworld)
– Shane Kuhn for Kill Your Boss (Little, Brown Book Group)
– Chris Pavone for The Accident (Faber & Faber)
– L. C. Tyler for Crooked Herring (Allison & Busby)

Eligible titles were submitted by publishers for the longlist, and a team of British crime fiction reviewers voted to establish the shortlist and the winning title.

CRIMEFEST annually presents a number of awards at its Gala Dinner which in 2015 will be held on Saturday, 16 May.
  The very best of luck to all the nominees, and may the funniest man win.
  For all the details on all of the Crimefest awards, including the eDunnit and Audible awards, clickety-click here

Tuesday, May 20, 2014

Bristol, Dublin, And On To The Greek Isles …

It’s been a busy few days here at CAP Towers, not least because I wasn’t actually at CAP Towers – I trundled off to Bristol for the weekend, for the annual Crimefest bash, and tremendous fun it was too. Part of the attraction, of course, is that you get to swan about for an entire weekend pretending to be a writer without having to worry about anyone muttering darkly about the emperor’s new clothes, but mainly it’s all about the people, and catching up with some very good sorts you only get to meet once a year. It was also very nice, this year, to be attending the Severn House 40th anniversary celebration, although I did feel a bit of a fraud, given that I’ve only been with Severn House for about six months. Not that you’d have known that, given the warmth of the welcome …
  I also took part in a very enjoyable panel (enjoyable for me, at least) on private eye fiction, alongside Mick Herron, James Carol and Kerry Wilkinson, and curated by the indomitable Donna Moore, who stepped in at the last minute when the original moderator, Ruth Downey, was indisposed. All told, it was a wonderful weekend, and I’m already looking forward to Crimefest 2015 …
  Back to Dublin, then, and the ‘State of Crime’ event at the Central Library, as part of the Dublin Writers Festival last night, where I took my turn hosting Arne Dahl, Sinead Crowley and Brian McGilloway. Lovely people, great writers and a terrific audience made for a very enjoyable evening indeed.
  In the midst of all that, the Publishers Weekly review for my current tome, the comic crime caper CRIME ALWAYS PAYS (Severn House), popped up, which was very nice. The gist runs as follows:
“Burke’s zany sequel to 2007’s The Big O practically requires a scorecard to keep track of the characters [as] a motley crew of misfits leave a trail of chaos and confusion from Ireland to the Greek Isles … Burke keeps adding more characters, making for a profusion of drugs, cops, grifters, guns, and shifting alliances that’s both baffling and entertaining.” – Publishers Weekly
  With which, as you can imagine, I am very pleased indeed.
  Right – back to the grindstone. Normal-ish service will resume tomorrow …

Wednesday, April 2, 2014

The Celts Are Coming: aka ‘Celtic Crime’

The good people at Severn House are publishing a number of Irish and Scottish authors under the banner of ‘Celtic Crime’, which – given that I am one of said authors – seems a rather nifty idea to me. The writers involved include Declan Hughes, Cora Harrison, Anna Sweeney, Caro Ramsey, Lin Anderson and Russel D. McLean.
  For more info on any (and, indeed, all) of those writers, clickety-click here

Friday, March 28, 2014

Crime Always Pays: Stop Me If You’ve Heard This One Before …

As all three regular readers of this blog will be aware, I published my latest opus, CRIME ALWAYS PAYS this week – or rather, had it published on my behalf by the lovely folk at Severn House (I’m talking about the UK edition here; it will be published in the US and Canada in July). The story features most of the same characters (aka reprobates) who previously showed up in THE BIG O, and even though it can be read as a sequel, CAP is basically your common-or-garden comedy crime caper trans-Europe road trip with a homicidal Siberian wolf-husky along for the ride. Stop me, as they say, if you’ve heard this one before …
Karen and Ray are on their way to the Greek islands to rendezvous with Madge and split the fat bag of cash they conned from Karen’s ex, Rossi, when they kidnapped, well, Madge. But they’ve reckoned without Doyle, the cop who can’t decide if she wants to arrest Madge, shoot Rossi, or ride off into the sunset with Ray …
  CRIME ALWAYS PAYS is my fifth novel, and it’s by some distance the book I had most fun writing. I sincerely hope people have as much fun reading it. If you’d like a very short taster, Chapter 1 can be found here
  Finally, and as you might imagine, I’m very keen to spread the word about CRIME ALWAYS PAYS, and I’d be very grateful indeed if you could find the time to click on one of the buttons below. Much obliged, folks …

Thursday, March 20, 2014

CRIME ALWAYS PAYS: The Countdown Begins …

It’s hard to believe it’s that time again, but my latest tome, CRIME ALWAYS PAYS (Severn House), is published next week, on March 27th. It feels kind of strange right now, because there’s a sense of being in limbo, of not knowing how it’s likely to be received. Meanwhile, as you might imagine, I’m cracking on with the new book, and just today hit the halfway point – although ‘cracking on’ might be a bit misleading, as there are very many days when ‘trudging waist-deep in treacle’ might be more apt.
  Anyway, the blurb for CAP runs as follows:
Karen and Ray are on their way to the Greek islands to rendezvous with Madge and split the fat bag of cash they conned from Karen’s ex, Rossi, when they kidnapped, well, Madge. But they’ve reckoned without Doyle, the cop who can’t decide if she wants to arrest Madge, shoot Rossi, or ride off into the sunset with Ray …
  If you’re in the mood for a short taster, Chapter 1 can be found here.
  If that piques your interest, and you’d like a review copy of CRIME ALWAYS PAYS, there are digital copies available via NetGalley. If you have any problems downloading it, just drop me a line and I’ll do my luddite best to help.
  Here endeth the shilling … for now.

Thursday, February 13, 2014

Crime Always Pays: Advance Review Copies

As all three regular readers of this blog will know, I have a new book on the way – CRIME ALWAYS PAYS (Severn House), which will be published in the UK on March 27th. It’s a comedy crime caper, with the gist running a lot like this:
Karen and Ray are on their way to the Greek islands to rendezvous with Madge and split the fat bag of cash they conned from Karen’s ex, Rossi, when they kidnapped, well, Madge. But they’ve reckoned without Doyle, the cop who can’t decide if she wants to arrest Madge, shoot Rossi, or ride off into the sunset with Ray …
  For a flavour of the book, clickety-click here for Chapter One.
  I’d like to get the word out about the book, as you might imagine, so I’d be very grateful indeed if you feel moved to share this post with anyone you think might enjoy a crime caper comedy.
  And if you’re a book blogger or website editor based in Ireland or the UK, and you’d like to receive an e-book advance review copy, just drop me a line at dbrodb[at]gmail.com, letting me know who you write for. If I haven’t come across your blog / website before, I’d be delighted to add your link to my blog-roll.

Wednesday, December 18, 2013

Crime Always Pays: The Stamp of Approval

The good people at Severn House have forwarded on the cover for CRIME ALWAYS PAYS, which they will publish in the UK next March (and in the US in July), and with which I’m very happy indeed. I love the idea of a stamp as a book cover – CAP is a comedy crime caper set in the Greek islands, and the cover perfectly captures the kind of escapist fun I was aiming for with the story. Of all my books, CRIME ALWAYS PAYS was the most fun to write, and I’m delighted that that’s reflected in the cover. Here’s hoping that you all enjoy it too …

Friday, September 27, 2013

A Former Editor Writes

I don’t know if you’ve noticed, but there has been a tremendous boom in Irish crime fiction in the last couple of years. When I first started writing here about Irish crime, we’d be lucky to see two debut writers in a whole year. These days it’s not uncommon to find two writers making their debut in the same month.
  It’s not just about individual writers being published, either. By the end of 2013, the Irish Writers’ Centre will have run three dedicated crime writing courses. Trinity College will host Irish Crime Fiction: A Festival. Plans are afoot for an Irish crime writing festival next year. The Irish Book Awards will, yet again, include a Best Irish Crime Novel category. RTE radio is currently running a four-part documentary series called ‘Irish Noir’. And it’s become increasingly rare for an Irish literary festival not to include at least one panel on crime fiction.
  It’s terrific to see, and long may it continue.
  The downside for yours truly is that it has become increasingly difficult to keep up with all the new writers, the new books from more established writers, and all the various events and newsworthy items. In the grand scheme of things, that’s a wonderful development; in terms of this blog, which is a labour of love, it’s become almost impossible to do justice to them all.
  In fact, and as the more eagle-eyed among you will have noticed already, the coverage has been rather patchy of late. It’s been pretty busy lately here at CAP Towers, with work and my own writing, and I’ll be starting into a new book any day now. Rather than pretend that I’m providing any kind of decent service in terms of information about Irish crime writing, I’d much prefer to acknowledge that I can’t keep up, and bow out gracefully.
  This hasn’t been an easy decision to make, although to be fair it’s a decision a lack of time has made for me. I’ve met a host of wonderful people through this blog, and the goodwill has been terrific. Moreover, I have a special interest in Irish crime writing, and I know I’ll particularly miss writing about new Irish authors. Ultimately, however, with my time being squeezed on all sides, I simply need to be sensible and concede that I can’t do everything I’d like to do.
  I will be maintaining this blog for my own ends, of course, as it’s been a brilliant way of meeting other readers and writers over the years. I do hope you’ll stick around for the occasional news update, review or interview. Cheers, Declan

Tuesday, September 17, 2013

House Rules

I’m very pleased indeed to announce that my next book, CRIME ALWAYS PAYS, will be published by Severn House early next year (actual house not pictured, right). The book will be published in the UK in March and the US in July, and I’m hugely looking forward to working with the Severn House team, and particularly Kate Lyall Grant.
  It’s an exciting time, although there’s an element of sadness involved too, because I’m leaving behind some terrific people at Liberties Press. I’ve had a few wonderful years at Liberties: they published ABSOLUTE ZERO COOL in 2011 when virtually every other publisher passed on it, and I hope the fact that the book went on to win the Goldsboro ‘Last Laugh’ award at Bristol’s Crimefest in 2012 justified their decision to publish. Liberties also published SLAUGHTER’S HOUND, which was subsequently shortlisted for Best Crime Novel at the Irish Book Awards, and the non-fiction title DOWN THESE GREEN STREETS: IRISH CRIME WRITING IN THE 21ST CENTURY. It’s been a whirlwind few years, and I thoroughly enjoyed my time.
  I sincerely hope that my time with Severn House will be every bit as productive and enjoyable. I know that I’m joining a stable of very fine writers, and a publishing company with a superb record of putting books into the hands of readers. And really, that’s what this game is all about when it all boils down: putting good books in front of people who love to read.
  Speaking of which: if you fancy reading the first chapter of CRIME ALWAYS PAYS, you’ll find it right here

Monday, September 9, 2013

CRIME ALWAYS PAYS: The Novel

The more eagle-eyed among you will have noticed that blog posts have become rather sparse around these here parts lately, largely because I’ve been working on putting the finishing touches to my latest book, CRIME ALWAYS PAYS. It’s a sequel to THE BIG O, and features more or less the same cast of reprobates, albeit this time causing mayhem in the Greek islands, and there’s a couple of new characters in there to spice things up. It kicks off like this:

Chapter 1

Rossi said he’d torque if he needed to torque, he’d just had his ear ripped off.
  Sleeps allowed Rossi made a valid point, especially as the hound that tore off the ear was three parts Siberian wolf to one part furry Panzer, but that Rossi, with the gash in the side of his head flapping like a glove puppet every time he opened his mouth, was maybe mishearing.
  ‘What he said,’ Sleeps said, ‘was try not to talk.’
  It was bad enough they were holed up in a vet’s surgery and down two hundred grand, Rossi minus an ear and raving about how genius isn’t supposed to be perfect, it’s not that kind of gig. But then the vet had started threading catgut into what looked to Sleeps like a needle he’d last seen on the Discovery Channel stuck through a cannibal’s nose and sent Rossi thrashing around on the operating table, hauling on the restraints, Rossi with a terror of needles and ducking around like Sugar Ray in a bouncy castle.
  The vet leaned in to squint at the raspberry jelly mess that was the side of Rossi’s head. It didn’t help there was no actual ear. It had been torn clean off, along with enough skin to top a sizeable tom-tom.
  ‘If he doesn’t lie still,’ he said, ‘he’s going to wind up with his brain on a skewer.’
  Sleeps sighed and climbed aboard, making a virtue of his considerable bulk by sprawling across Rossi and pinning him to the steel-frame operating table. Rossi went cross-eyed, launched into a gasping stream of profanity that sounded like a leaky balloon with Tourette’s. Sleeps wriggled around, sealed Rossi’s mouth with a plump hand.
  The vet knotted the catgut. ‘I’d appreciate it,’ he said, ‘if you’d point that somewhere else.’
  Sleeps’ pride and joy, the .22, nickel-plated, pearl grip. Enough to stop a man and put him down but not necessarily lethal unless you were unlucky. The .22 being empty right now, at least Sleeps didn’t have to worry about getting any unluckier than chauffeuring Rossi around when the guy was down one ear and a fat bag of cash.
  Sleeps slipped the .22 into his pocket. ‘Okay,’ the vet said, ‘hold him still. This’ll hurt.’
  Sleeps, fascinated, watched him work. The vet with Roman senator hair that was turning grey, the eyes grey too, giving off this unflappable vibe that Sleeps presumed came from every day sticking your hand up a cow’s wazoo. Or maybe this was a regular thing for him, a couple of guys on the run stumbling out of the forest into the back yard of his veterinarian practice with wounds it might be tough to explain away at hospitals that weren’t built next door to zoos.
  ‘I’ll warn you now he’s going to need an anti-tetanus shot,’ he vet said. ‘Looks like this, ah, car door you’re saying somehow ripped off your friend’s ear had some serious teeth. We could be looking at rabies.’
  ‘That’s just his natural disposition,’ Sleeps said. Rossi throwing in muffled snarl or two as the vet tucked the stitches snug. ‘But okay, yeah. I think we both know it wasn’t a car door.’
  ‘What are we looking at? Doberman?’
  ‘I’m not sure,’ Sleeps said. ‘Some kind of Siberian wolf mix, there’s maybe some husky in there. Belongs to his ex, Karen, she took it on when he went back inside.’
  ‘I thought we said no names.’
  ‘Right, yeah.’ Sleeps, who was looking to go back inside, cop some soft time, figured it might be no harm to drop a few crumbs with the vet. ‘She’s a beast, though. The hound, not Karen. I mean, our friend here was driving a Transit van at the time and she shunted it off the track, came bombing through the windscreen and tried to chew his head off.’ Sleeps had seen it all happen, having little else to look at on account of being stuck behind a deflating airbag at the wheel of their getaway Merc, the Merc at the time wedged at an angle between a boulder and the bole of a fat pine near the bottom of a gully maybe half a mile from the lake where Rossi had just heisted a two hundred grand cash ransom from Karen and Ray.
  Rossi had pulled up in the Transit, which he’d also swiped from Karen and Ray, and called down to Sleeps, told him to hold on. Then Sleeps heard a howl and the splintering crash of the hound going through the Transit’s window. Rossi’d floored it, aiming the van at the nearest tree, but the wolf had shoved the van off the muddy track and down into the gully, at which point the hound, wedged chest-deep into the crumpled window frame, had set about decapitating her former owner.
  To be fair, Sleeps acknowledged, the girl had her reasons. She was very probably the only Siberian wolf-husky cross on the planet wearing a pirate patch, this because Rossi, trying to break her in, just before he went back inside for his third jolt, had gouged out her eye with the blunt end of a fork. And that wasn’t even her most recent provocation. Only twenty minutes previously Rossi had left her laid out on the lake shore, putting a .22 round in her face, point-blank.
  If Karen and Ray hadn’t come riding over the hill like the cavalry, hauling the hound off along with the two hundred gees, Rossi would have been crushed, minced and spat out.
  ‘Listen, I don’t mind stitching him up,’ the vet said, ‘but I’d appreciate you leaving out any detail that’s not strictly relevant to his condition. You know I’ll have to ring the police, right? Because of the possible rabies. And the less I know …’
  ‘Sure,’ Sleeps said, ‘yeah. But if you could just give us, like, maybe an hour’s start? It’s been a bad enough day already.’
  ‘It’s tough all over,’ the vet agreed. Then Rossi gave a yelp as the needle slipped, tried to bite Sleeps’ hand.
  In the end Sleeps jammed his thumb into the ragged hole where Rossi’s ear used to be, stirred it around. Rossi screeched once, high-pitched, then keeled over and passed out.
  Sleeps slid down off the operating table, retrieved the .22 from his pocket. ‘Okay,’ he said, ‘I’ll be needing a bag of horse tranks. And whatever gun you use for putting down the animals.’
  The vet sewed on. ‘We don’t use those anymore, they’re not humane.’
  ‘Humane? You’re a vet, man.’
  ‘We treat them like children,’ the vet said, ‘not animals.’
  ‘Nice theory.’ Sleeps, who’d been hoping to bag himself a cattle-prod at the very least, gestured at Rossi with the .22. ‘But what if they’re a little of both?’


Friday, July 5, 2013

1,000,000 Not Out

At some point in the next week or so, barring unforeseen and very peculiar developments, the page-view clicker at the top right of this page will turn over to 1,000,000. What happens to the page-view clicker at that point I really don’t know – I’d imagine it’ll reset to zero, and we’ll start all over again.
  Anyway, the numbers aren’t all that important in the grand scheme of things. Far more important is the number of terrific books and writers I’ve come across during the course of the last six years or so of Crime Always Pays; the friends I’ve made and the colleagues – reader, bloggers and writers alike – that I’ve met.
  It’s been an amazing experience. Crime Always Pays started off because I had a book to promote back in 2007 – THE BIG O, co-published with the tiny but perfectly formed publisher Hag’s Head – and we literally did not have a penny to spend on promotion. The plan was to piggy-back the terrific Irish crime writers who were emerging then – the likes of Tana French, Gene Kerrigan, Declan Hughes and Alex Barclay – all of whom were taking giant strides along a path laid down by John Connolly, Ken Bruen, Julie Parsons, Colin Bateman and Eoin McNamee. As it happened, the blog morphed into something entirely different for me, and has since – a couple of hiccups notwithstanding – developed a life of its own.
  Things have gone pretty well for me as a writer over the last six years. I have no idea of whether they’d have gone so well if I hadn’t been blogging, or if they might have gone a little better if I hadn’t had the blog as a distraction. One thing I do know is that I’d be far poorer in terms of people. For a certifiable curmudgeon and pathological loner such as myself, that’s a pretty big thing.
  So there you have it. If this is your first time here, or your one thousandth time here, you’re very welcome indeed. A heartfelt thanks to everyone who has made Crime Always Pays what it is simply by making the effort to check in once in a while to see what’s happening in Irish crime writing, and here’s to the next six years.
  Finally, for those of you curious as to what the very first post on Crime Always Pays was, clickety-click here

Thursday, August 2, 2012

Comment Is Free

Commenting on a blog can be a funny old business. Some people are happy to do it, and merrily chirp their way through the blogosphere, dropping comments like Johnny Appleseed. Other people comment sparingly, or only on particular blogs. And some people prefer not to comment at all, and good for them.
  Crime Always Pays tends to receive relatively few comments, in part (I think) because it’s an info-driven blog, and that kind of delivery doesn’t encourage interaction. It’s also true that I don’t have the time during the day to interact with each comment individually, which can in turn lead to further comments. It may also be true that I’m simply not the kind of person / blogger who generates comments and on-line connection. If the blogosphere is an on-line party, I’m the guy hanging out in the kitchen beside the fridge, talking geeky niche-niche-niche content and scaring away all the pretty girls. Well, not all the pretty girls, obviously …
  I’ve received quite a few emails and Twitter messages in the last week or so, letting me know that the comments function on CAP has been restricted to ‘team members’ only. I’m a little bit surprised by the volume, because as I say, CAP posts don’t tend to attract many comments in the first place. What they do attract is spam - which is the reason I shut down the comments function so that it can be accessed by ‘team members’ only (i.e., yours truly) - and in increasingly annoying amounts.
  These days I can spend as much time weeding the spam comments out as I can writing up a post. And I really don’t have that kind of time to waste.
  It’s also true that while the spambots are irritating, the human spammers are far worse. ‘Hey, nice post! It reminds me of my new book, MY GIANT ARSE-FACE, an autobiography you can find at this link. Have a nice day, and don’t worry at all about me leeching off your work!’ What kills me about those particular spammers is that if they’d had the common decency to contact me in the normal, natural way, I’d have been more than happy to accommodate them on the blog.
  Anyway, I’ve opened up the comments function again, less by popular demand than because I’d hate for anyone to think that they were being frozen out of any discussions. I’ll have to try to work out some fool-proof way of making the blog anti-spam whenever I get a spare ten minutes. But if in the near future you try to leave a comment and discover it’s only accessible by ‘team members’, please don’t take it personally. It’s just one frustrated blogger’s knee-jerk reaction to the spam munchkins and what can at times seem like a tidal wave of spam …

Saturday, January 7, 2012

“Let’s Get Critical, Critical / I Wanna Get Critical / Let’s Get Into Critical …”

With apologies, obviously, to Olivia Neutron-Bomb. Anyhoo, I have been usurped, ladies and gentleman: nay, I have been cuckolded. For lo! The Irish Crime Fiction Group on Facebook does pretty much what it says on the tin, and achieves pretty much what this blog has been trying to do over the last few years, which is to bring news of developments in Irish crime writing to a wider public.
  Actually, and in the interest of transparency, etc., I should point out that the ICFGF is the brainchild of one Mick Halpin, aka Critical Mick, who was writing about Irish crime fiction long before Crime Always Pays ever saw the light of day, and who was hugely supportive of yours truly when I was trying to get CAP up and running.
  Anyway, I’m delighted to see the ICFGF doing it’s thang, and doing it so well, and not least because it seems to be attracting writers to contribute to the page. With CAP, it was always my blog, with added other writers; ICFGF is a more democratic set-up, and everyone’s entitled to log on and update. There’s also more of a community vibe to it, and while it’s still early days, I can easily see the ICFGF becoming the kind of forum for discussion I had originally envisaged for CAP, before I sabotaged the whole concept by hijacking CAP for my own nefarious purposes.
  Anyway, the rise of ICFGF coincides with yours truly doing a bit of thinking about where the good ship SS CAP might be sailing to in the future, and the idea of maintaining an online presence (blog, Twitter, Facebook, et al) which eats away at the time I have available to write (in a sense, the self-promotion thing veers into Catch-22 territory: the more time you spend promoting yourself, the more successful you’ll be; the more successful you are, the less time you get to write.)
  Simply put, I don’t have the time to do all the things I used to do. Last year, during which I was lucky enough to have two books published, I was burning the candle at both ends and taking a blowtorch to the middle too. It was an unsustainable schedule, and one that left me feeling pretty ropey by the year’s end.
  Ultimately, I need to work full-time, then spend time with my family, and then find time to write and / or spend time on book-related projects. The blog comes under the third heading there, which means, essentially, that it eats into writing time. Which means, I’m afraid, that the blog will have to go. Or, at least, that I’ll be ratcheting waaaaaaay back on the amount of time I put into CAP.
  In effect, and with ICFGF thriving, I guess what I’m hoping to do is abandon any pretence that Crime Always Pays exists to support Irish crime writing, and simply use it to let people in the wider on-line community know about any developments relating to my own writing. Which means posting erratically, and occasionally, and whenever it’s possible, time-wise. I’d hate to drop it entirely, given that I’ve met so many great people via Crime Always Pays, and because it is a useful way of staying in touch with the wider on-line crime writing community. Of course, whether or not people will still be interested in dropping by here when CAP is all about me waffling on about me is another matter entirely. We shall see.
  For now, I’d just like to say thanks a million to the Three Regular Readers, and to the more irregular visitors too, for making the last six years such an enjoyable experience. Hopefully I’ll be seeing you all over at ICFGF

Tuesday, September 20, 2011

Crime Always Pays: 400,000 Not Out

Barring unforeseen disaster, at some point today, or more probably tomorrow, Crime Always Pays will pass the 400,000 hits mark, and begin its Sisyphean journey towards the magical half-million. A rather small hill of beans, I know, in the grander scheme of things, and I’d trade them all for a milking cow, or a beanstalk, or even a flunky called Jack who might wander forth and bring home a goose that lays golden eggs. Or even one golden egg. Or just an egg.
  Anyway, I wanted to mark the moment not to blow any trumpets (although I might let loose with a kazoo-parp as the hit-counter ticks past the mark), but to celebrate the blog and what - or who, more importantly - it represents. When it all kicked off about four and a half years ago, Irish crime writing was still very much a niche-niche genre - to be honest, I thought I’d be lucky if I found myself talking about twenty or so writers, past and present. As it happened, I was extraordinarily lucky, in that I started CAP (to plug THE BIG O, at the time) just as Irish writers started churning out top quality crime fiction in astonishing quantity and quality. I was also very lucky in that some of the top Irish writers at the time - in particular John Connolly and Ken Bruen - were more than happy to play along, and lend their considerable reputations to the gig by taking part in various blog posts I suggested; as a result, CAP was picked up by a whole host of like-minded people in the wider crime writing and reading community, and we were off and running.
  Four and a half years later, there’s been a lot of highs and lows. As all Three Regular Readers (who were obviously very busy hitting the repeat button) will already know, I’ve downed tools on CAP on a couple of occasions, unable to keep up with various other demands, most of them related to labour that pays in more than love. Mostly, though, it’s been highs. For starters, and probably most importantly, I’ve met so many terrific people through CAP that I really couldn’t start to count them, and some of my best friends these days originated on these pages. When all is said and done, and in accepting that we’re all here because we love books, these are the things that truly matter.
  Other personal highs include seeing THE BIG O get published in the US, not least because so many people were good enough to play their part in creating a word-of-mouth buzz that eventually proved irresistible; the publication of DOWN THESE GREEN STREETS, which was a direct and logical follow-on from CAP; and seeing ABSOLUTE ZERO COOL finally emerge from its purgatory to sit on a shelf as an actual book, having first debuted in public on these pages and received such strong support and goodwill that it would have been churlish not to pursue its publication to the bitter end.
  There’s also the fact that CAP has - by default, almost - put me in a position whereby I tend to catch new Irish crime writers at an early stage, and thus get that wonderful buzz of ‘discovering’ new writers, a buzz that’s only really matched by the thrill of being able to let the world at large know about the latest sensation that’s on its way.
  It’s a total coincidence, of course, but a timely one, that the 400,000 hits mark will be passed this week, and very probably on the day I fly out to New York in the company of some very fine Irish crime writers - Colin Bateman, Arlene Hunt, Declan Hughes, Alex Barclay - for a symposium on Irish crime fiction to be hosted by Ireland House at NYU, which will also be attended by John Connolly and Stuart Neville, who are currently at large in the US and very probably terrorising unsuspecting bystanders. Very nice it’ll be too to spend a weekend in such august company, especially for the purpose of bigging up the Irish crime novel in general and specifically DOWN THESE GREEN STREETS; and particularly as it was a Dublin dinner in the company of two men, John Waters and Joe Long, when I first got the glimmer of the idea that became GREEN STREETS. All kinds of synchronicity, then, will be sparking in New York this weekend; if you’re going to be in the vicinity, feel free to drop by and say hi. All the details can be found here
  Finally, I’m going to mark the 400,000 mark with a very humble offering, being a threefer of signed copies of EIGHTBALL BOOGIE, THE BIG O and ABSOLUTE ZERO COOL to the person who drops a comment in the box closest to the ticking-over moment. If, as is highly unlikely, it appears that there’s something of a tie, I’ll put the names in a hat and draw the winner.
  Until then, I thank you all for your support, kindness and encouragement over the last four and a half years, and here’s to another four and a half years to come …

Wednesday, April 6, 2011

The Asylum Has Taken Over The Lunatics

I’d have got less for GBH, etc. Today is the fifth anniversary of my voluntary incarceration in the occasional lunatic asylum that is Crime Always Pays Towers (appropriately stale two-year-old cake pictured, right) and all Three Regular Readers won’t be in the slightest bit surprised to learn that the first post was a plug for my then current novel, THE BIG O (these days, of course, I’m plugging the bejaysus out of EIGHTBALL BOOGIE. But that’s a story for another day). THE BIG O had just been published with the small but perfectly formed Hag’s Head Press, and between us we hadn’t so much as a Michael Lowry red cent for promotion and publicity purposes. Crime Always Pays was intended to be a cheap (i.e., free) means of getting the word out there, although I also saw it as a chance to celebrate the small but growing number of Irish crime writers.
  These days, I’m delighted to say, there are so many Irish crime writers that it can be hard to keep tabs on them all, with more appearing every year. Then again, it’s hardly surprising that crime writers are coming up like mushrooms, given that the official response to the larceny on the grandest of scales that is the Irish economic downturn, recession and austerity bail-out was to shovel on the shite and keep us all in the dark.
  Anyway, one unintended consequence of Crime Always Pays is DOWN THESE GREEN STREETS: IRISH CRIME WRITING IN THE 21st CENTURY, which is a collection of essays, interviews and short stories by Irish crime writers on the subject of Irish crime writing and edited by yours truly, and which will be published next month by Liberties Press. It’s an odd feeling, waiting for it to appear. I’m nervous on its behalf, of course, especially as I have no idea of how it’ll be received, given that - to the best of my knowledge - it’s one of a kind. But I have no sense of ownership of the collection, not in the way I would if it was one of my own books. As far as I’m concerned, the book belongs to the contributors. I am proud of it, though, proud on behalf of the very fine writers involved, and delighted to see such a diverse range of talents all together and talking about a phenomenon that has long since been recognised abroad, and is finally starting to register with an Irish audience.
  Another unintended consequence of CAP, the most delightful, and one which has always kept me going through the inevitable peaks and troughs of a writer’s life, is the number of people I’ve met on-line, most of them in the crime fiction community. I was bowled over in the early days of CAP by the generosity of spirit offered to a newbie by people I’d presumed would be competitors, i.e., fellow bloggers, but it appears that the spirit of good karma is alive and well in a blogosphere near you. People, you know who you are, and you keep me young(ish). It’s a labour of love, ye olde blogge, but as with most things, you get out what you put in.
  Upwards and onwards, folks. Here’s to another five years or so, twice as many Irish crime writers, multiples of good folk met on-line, and perhaps even a book or two to promote from yours truly. Hey, I can always dream …

Tuesday, February 22, 2011

On Books As Hangover Cures

Blogger extraordinaire and Spinetingler Award nominee Paul D. Brazill did me up a treat yesterday, when he put together his list of ‘Ten Crime Books To Cure Your Hangover’ for the Mulholland blog. For lo! The name of Declan Burke appeared not once but twice. To wit:
5&6. THE BIG O / CRIME ALWAYS PAYS by Declan Burke

THE BIG O and its follow up CRIME ALWAYS PAYS actually are that oxymoron ‘screwball noir’. These novels are two cracking, fast-paced, clever and very droll road movies with a top drawer cast that includes a narcoleptic called Sleeps and a one eyed wolf. Twists and turns, spicy dialogue and scenes which really make you ‘LOL’, as the young people say.
  Sweet. Thank you kindly, Mr Brazill. For the full list of hangover-curing books, clickety-click here
  Mind you, it’s a yin/yang world. The Mulholland blog linked through to the Good Reads website, and upon investigating further, I discovered that a certain Marta had rated THE BIG O a one-star read, her review in its entirety declaring that THE BIG O was - and I quote - ‘WORST book i have ever read. Period.’ A damning enough review in itself, of course, and deliciously scathing in its semi-punctuated contempt, but matters are further clarified by the fact that Marta has awarded four- and five-star reviews to novels featuring teenage wizards, teenage vampires and sundry tomes variously titled I GAVE YOU MY HEART BUT YOU SOLD IT ONLINE, MY HEART MIGHT BE BROKEN BUT MY HAIR STILL LOOKS GREAT, IDA B AND HER PLANS TO MAXIMISE FUN, AVOID DISASTER AND (POSSIBLY) SAVE THE WORLD, and THE EARTH, MY BUTT AND OTHER BIG ROUND THINGS.
  So there you have it. Hopefully Marta will like my next novel, I WAS A NEUROTIC TEENAGE VAMPIRE WIZARD FROM OUTER SPACE BUT AT LEAST I HAD THE KARDASHIANS, a little more.
  If not, well, it just goes to prove that you can’t fool all the people all the time. A salutary lesson, indeed.

Wednesday, February 9, 2011

Today’s Post Is Brought To You By The Letter E

Allan Guthrie runs an interesting new blog called e-books that sell, and yesterday he had a fascinating post titled ‘Observations from the e-front’. It got me thinking, mainly because my e-book doesn’t sell, whereas the books on Allan’s blog sell in their thousands, and in some cases hundreds of thousands. Mostly it got me thinking about the reasons why my e-book doesn’t sell - apart, obviously, from reasons such as ‘a lack of promotion’, or ‘failure to establish word-of-mouth’, or (the classic) ‘it’s rubbish, mate’.
  Anyway, here’s my variation on Allan’s ‘Observations from the e-front’; any and all feedback is hugely welcome. Except for the ‘it’s rubbish, mate’ variety, obviously - we’ve covered that one extensively already, ta very much.
Observations from the e-front (a writer replies while thinking aloud)

1. I don’t belong on ‘e-books that sell’.
2. Mainly because my e-book doesn’t sell.
3. That’s my fault - I’d rather to have readers than money (I like my day job; I write for fun).
4. But I want to connect my e-book with readers. Where do I go?
5. How do I persuade readers to take a chance on my book?
6. Can I be sure my book offers value for money?
7. Can I be sure my book offers value for time?
8. What websites and / or blogs should I be touching base with?
9. Can a UK reader download a US-published e-book?
10. What other questions should I be asking myself?


CRIME ALWAYS PAYS by Declan Burke

Available on Kindle and many other formats

When a heist goes west, Karen and Ray head south, next stop the Greek islands. On their trail are Karen’s ex-con ex- Rossi, his narcoleptic wheelman Sleeps, jilted cop Doyle, and Melody, an indie filmmaker with an eye for the wide angle and a nose for the big score. The Monte Carlo grand prix of road-trip comedy capers, CRIME ALWAYS PAYS is a furiously fast and funny screwball romp that barrels through Amsterdam and Rome in a welter of double- and treble-crosses in the company of a motley crew with their eyes on the prize of riding off with the loot into that glorious Santorini sunset …

Reviews for CRIME ALWAYS PAYS:
“CRIME ALWAYS PAYS is part road movie and part farce, reminding me sometimes of Elmore Leonard, sometimes of Allan Guthrie, sometimes of Donald Westlake and sometimes of the Coen brothers – sometimes all at once.” – Glenn Harper, International Noir

“The comparisons to Elmore Leonard’s style are warranted and deserved, but Burke has managed to put his own unique spin on it … For anyone looking for some escapism, a great read, and a lot of fun, CRIME ALWAYS PAYS is for you.” - Smashwords review (*****)

“FIVE stars for sure!” - Smashwords review (*****)

“CRIME ALWAYS PAYS is a fun yet complex novel, which definitely falls under the heading of screwball … The unique mixture of a fun cops and robbers caper and the complex plot and character relationships makes this novel highly enjoyable and worth a read, or even a re-read.” - Smashwords review (****)

“The end result is a little like what might be expected if Elmore Leonard wrote from an outline by Carl Hiaasen ... [It’s] about the flow, the feel, the dialog, the interactions among characters, not knowing who’s working with - or against - who, the feeling that anything might happen at any moment. It’s as close to watching an action movie as a reading experience can be.” - Dana King, the New Mystery Reader
  If you fancy reading some sample chapters, feel free to clickety-click here

Monday, January 10, 2011

CRIME ALWAYS PAYS by Declan Burke

When a heist goes west, Karen and Ray head south - next stop, the Greek islands. On their trail are Karen's ex-con ex- Rossi, his narcoleptic wheelman Sleeps, jilted cop Doyle, and Melody, an indie filmmaker with an eye for the wide angle and a nose for the big score. The Monte Carlo grand prix of road-trip comedy capers, CRIME ALWAYS PAYS is a furiously fast and funny screwball romp that barrels through Amsterdam and Rome in a welter of double- and treble-crosses in the company of a motley crew, all with their eyes on the prize of riding off with the loot into that glorious Santorini sunset ...

CRIME ALWAYS PAYS on Amazon Kindle US

CRIME ALWAYS PAYS in many other e-formats


Praise for CRIME ALWAYS PAYS:
“CRIME ALWAYS PAYS is part road movie and part farce, reminding me sometimes of Elmore Leonard, sometimes of Allan Guthrie, sometimes of Donald Westlake and sometimes of the Coen brothers - sometimes all at once.” - Glenn Harper, International Noir

“The end result is a little like what might be expected if Elmore Leonard wrote from an outline by Carl Hiaasen ... [It’s] about the flow, the feel, the dialog, the interactions among characters, not knowing who's working with - or against - who, the feeling that anything might happen at any moment. It’s as close to watching an action movie as a reading experience can be.” - Dana King, the New Mystery Reader

“The comparisons to Elmore Leonard's style are warranted and deserved, but Burke has managed to put his own unique spin on it ... For anyone looking for some escapism, a great read, and a lot of fun, CRIME ALWAYS PAYS is for you.” - Smashwords review (*****)

“CRIME ALWAYS PAYS is a fun yet complex novel, which definitely falls under the heading of screwball ... The unique mixture of a fun cops and robbers caper and the complex plot and character relationships makes this novel highly enjoyable and worth a read, or even a re-read.” - Smashwords review (****)

“FIVE stars for sure!” - Smashwords review (*****)

Friday, December 31, 2010

Word Junkies; Or, The True Cost Of Writing

Like most people who are even semi-serious about the writing business, I try to write every day. That’s not always possible, what with pesky issues like the need to put food on the table and nappies on bums to deal with, and the even more pressing need of ensuring the mortgage gets paid so that your daughter doesn’t have to go live in an actual tree (right), but I generally get a couple of hours a day done, five or six days a week. Which is pretty poor going, especially as fulltime writers get to spend eight or ten hours at the desk every day, but needs must, and a couple of hours per day is usually enough to keep me ticking over and the bubble of whatever world I’m creating fully inflated.
  Taking a break of more than a day or two can be a dangerous business. It can be a good thing, in that it allows the mind to roam more freely, and you can start making connections that might not otherwise have occurred to you; it can also serve as a kind of damming process, behind which the story builds up, thus allowing you to burst back into a story bright-eyed and bushy-tailed.
  The danger, of course, is that spending even four or five days away from a story affords a perspective that can very easily prick that bubble. The old doubts about your ability have time to fester; you start to wonder if the story is actually all that believable; or, worse, if there’s really any point to writing it, no matter how believable it is, or enjoyable to write.
  The week just gone by, in which I took a break of six days from working on the current story, appears to have fatally holed it beneath the waterline. I still think it’d be fun to write, and I like the characters, by which I mean I find them interesting enough to follow through to find out where the story will take them; but the whole ‘what’s-the-point?’ black dog started howling out in the darkness.
  Worse, while slumped in a turkey-and-sherry-trifle coma in front of some rubbish TV, I started crunching numbers. Now, I earn a decent if not remarkable wage as a freelance writer. The hours are long, and the work itself is interesting, and the bills get paid and nappies get put on bums. All of which, especially in the current climate, is very good indeed.
  For some reason, though, I started wondering about how much, in terms of dollars and cents, I’ve invested to date in my writing ‘career’. Any aspiring writers out there might want to look away now.
  The nuts and bolts run thusly: I’ve had two books published, EIGHTBALL BOOGIE (2004) and THE BIG O (2007). I’m hopeful, although not hugely so, that I’ll have another book published this year, BAD FOR GOOD aka THE BABY KILLERS. (I’m not counting CRIME ALWAYS PAYS for the purpose of this little exercise, by the way, as that went straight to e-format - but feel free to have a squint, if you’re so inclined).
  Now, I started writing EIGHTBALL BOOGIE some time around 2000 or 2001. So let’s say, for a round figure, and taking a huge leap and presuming that I’ll have another book published in 2011, that by the end of this year I’ll have had three books published to show for 10 years work. (I’ve written other novels, there are three or four gathering dust on the shelf, but for now let’s just stick with published books).
  The rates for freelance journalism have changed over the last decade, not always upward, so it can be hard to put an hourly figure on earnings. These days I can write a feature in two hours and earn €200 (very rare), but my hourly rate, when I’m being honest with myself and factor in the daily commute, is usually closer to €20.
  Now let’s extrapolate, and apply that hourly rate to writing fiction. At two hours per day, five days per week, 48 weeks per year, at a rate of €20 per hour, that amounts to €9,600 per year ‘spent’ on writing fiction. Multiply that by the ten years I’ve been writing seriously, we’re looking at the guts of €100,000, or €33,000 per book published. And that’s presuming that I’ll have a book published in 2011, which is a pretty big presumption; if I don’t, we’re looking at each book I’ve published costing me €50,000. Meanwhile, the largest advance I’ve ever received is €10,500, a figure that’s roughly ten times what an author scrabbling around at my level is likely to receive if he or she is lucky enough to see a book land on a shelf.
  I should say, of course, that those hours I spend writing fiction tend to be in the 6am-8am or 9pm-11pm bracket, hours when I very probably wouldn’t be working at earning anyway. Still, it’s a sobering thought, that investing all that time and effort should end up costing you somewhere in the region of seventy grand.
  If this was any other kind of business, I’d have been declared forcibly bankrupt and / or certifiably insane a long, long time ago.
  Unfortunately, it’s not any other kind of business. It’s writing. And just like the degenerate gambler and / or junkie who keeps on borrowing to feed his habit, I’ll keep on pounding the keyboard. Not in the hope that, one day, I’ll hit big and earn enough to have made all those years financially worthwhile, because junkies don’t think like that. No, I’ll keep writing for the pure and simple buzz of seeing the words appear on the page. My words, my story, my dream made real.
  I’m not a moron, all evidence to the contrary. Unlike the average junkie, I won’t be doing anything that might impact on my ability to put nappies on bums. Those writing hours I do scrape together will remain in the 6am-8am or 9pm-11pm slots, and will be just about enough, hopefully, to keep me from turning into the psychopathic bear I become when I don’t get my two-hourly fix every day. If I do get another book published this year, that will be marvellous; if not, well, you write in order to write. Everything else to do with the publishing industry, with apologies to everyone involved, is just a necessary evil.
  So, my New Year Resolutions:
1 To write and not to count the cost.
2 Give up smoking.
3 Spend more time with Lily.
  Meanwhile, a happy and prosperous New Year to all of you good folks, and here’s hoping that 2011 is a better year than the annus horribilis gone before. Upward and onward, people …

Thursday, November 25, 2010

The Irish Book Awards: DARK TIMES Never Seemed So Good

A ray of light in these dark times: Gene Kerrigan’s DARK TIMES IN THE CITY deservedly won Best Crime Novel at the Irish Book Awards last night. The shortlist was, as I’ve mentioned before, missing such luminaries as John Connolly, Ken Bruen, Arlene Hunt and Alan Glynn, but then last year was a very strong year indeed for Irish crime writing, and the very strong shortlist did include Tana French, Declan Hughes, Alex Barclay, Stuart Neville and Jane Casey. All of which should give Gene an extra fillip as he plonks his award on the mantelpiece. Mind you, Gene being an unusually modest man, there’s every chance said gong will be put away out of sight, lest anyone remark upon it and force Gene to admit that, yes, he’s actually a very fine writer indeed. Hearty congratulations to the man, and commiserations to all the runners-up …
  I reviewed DARK TIMES almost two years ago now, and had this, among other things, to say:
“Cruelly authentic, the novel refuses the simplistic pieties of either the genre’s form or society’s wishful thinking. DARK TIMES IN THE CITY is a very fine crime novel, but it’s also one of the very few novels of any stripe to hold up a mirror to the dark heart of modern Ireland’s boom-and-bust.”
  For the rest, clickety-click here
  Elsewhere, by which I mean my own little world, it’s been a busy, funny and often odd week or so. Yesterday, my former agent, who still holds some of the European rights to THE BIG O, rang to say that the contracts for the Italian version of said tome had arrived, and was I available to sign on the dotted line? Erm, yes, please. The money involved, of course, would hardly stretch to cover some decent lattes and a plate of spag bol, but at this stage, money is not the point. It’ll be fantastic to see THE BIG O in Italian, especially as I have a particular fondness for the country, and it also means that I’ll have been translated into three languages, as EIGHTBALL BOOGIE was published in Holland some years ago, under the title SPEEDBALL. The third language I’ve been translated into, as any of my editors will attest, is English.
  So that was nice. If you have any Italian friends who might enjoy a crime-comedy romp featuring a one-eyed Siberian wolf called Anna, feel free to give them a heads-up.
  Meanwhile, Paul D. Brazill did me proud with a review of the sequel to THE BIG O over at his interweb lair, aka You Would Say That, Wouldn’t You? To wit:
“CRIME ALWAYS PAYS is the follow up to Burke’s splendid THE BIG O and it almost actually IS that oxymoron ‘a screwball noir’. There’s a LOT going on, and it does take a bit to get used to the frantic pace, but it’s a satisfying read that still makes you want more. CRIME ALWAYS PAYS: A SCREWBALL NOIR is a cracking, fast paced, clever and very droll road movie with a top drawer cast - especially Sleeps!” - Paul D. Brazill
  Which, again, is very nice, and thank you kindly, sir. Funnily enough, Sleeps is probably my favourite character from CRIME ALWAYS PAYS, and at one point I was even thinking of calling the book SLEEPS THE HERO. Sadly, for everyone already fumbling for their credit cards in their rush to secure a copy, the book is only available as an e-book, or as a download to your PC, and will set you back a whopping $1.99. If you’re still determined to read it, however, all the details can be found here
  Finally - and this may cause Ms Witch to prick up her ears, if no one else - I had something of an unusual request last week. In essence, it was from a publisher of children’s books, wondering if I’d like to meet to discuss the possibility of my writing a book for young adults. Now, writing a book for kids has been something that’s been flickering on the very edge of my radar ever since the Princess Lilyput arrived, but I’ve never spent any time thinking seriously about it. Right now, I can’t think of anything else. The idea I hatched has gone forward for consideration, but already I think that I’m going to write the story no matter what the decision is, because I’m entirely enthralled by it. For one thing, it’ll be a massive challenge to write a whole novel without recourse to foul language; for another, it’ll be an equally massive challenge to try to write something that will capture a young reader’s imagination. I have no faith in my ability to achieve either, but I like the idea of trying. Plus, given the rate at which I tend to write and get published, two-year-old Lily should be just the right age to identify with the 13-year-old heroine when the book finally appears. Or, as is far more likely, sneer at it with a carefully honed teenage disaffection …
Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.