“The plot goes off in some unexpected directions: just when you think you’re headed for a predictable or operatic crescendo, Hughes undercuts that expectation with casual violence or the withdrawal of an expected twist. And at the end, amid the nearly Jacobean mayhem, there’s a hint of redemption for Loy and those around him.”Very nice indeed – and why-oh-why did they pull the plug on the trippy cover? It’s Cover of the Year for yours truly so far (hat-tip to Glenn Harper for the image) ... Oh, and is John Connolly about to rebrand himself, a la Colin Bateman, as ‘Jon Connolly’? Say it ain’t so, Jon, sorry, John …
Meanwhile, over at The Independent, Rebecca Armstrong likes John Connolly’s THE LOVERS:
“It’s not all crooks and spooks; Connolly is far too skilled a writer to create mere schlock-horror. He’s at his best getting inside his characters’ heads … Connolly’s latest novel is unashamedly gothic, but ultimately manages to be believable and moving too.”I couldn’t agree more. If THE GATES is half as good, it’ll be a vintage year for Connolly fans …
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