Is there a middle way between solemn worship on the one side and touristic antics on the other? How about thrillers? Anyone who can read a good thriller is half way towards being able to enjoy ULYSSES. Murder stories have a lot in common with Joyce’s masterpiece. They venture down the mean streets of the city. Their plots depend on a concentrated unfolding of time in which everything has to be carefully sequenced. Chance encounters acquire significance. The city, unknown at first, gradually yields up its hidden mysteries.For the rest, clickety-click here …
This is why thriller writers have long been drawn to ULYSSES and also why thrillers can serve as excellent introductions to the book. Adrian McKinty’s recent hard-boiled, fast-paced THE BLOOMSDAY DEAD is as dark and violent as any thriller fan could demand, but it also serves as an intelligent homage to ULYSSES – not so much to its content as to Joyce’s way of telling a story …
Saturday, July 25, 2009
A Bloom By Any Other Name
Further to Adrian McKinty getting lumps kicked out of his latest novel, FIFTY GRAND, in the Irish Times this week, and in the interest of balance, we present a little nugget that slipped through the net from last month, in which Fintan O’Toole gits jiggy with James Joyce’s ULYSSES in – oh yes! – the Irish Times. To wit:
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Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.
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