Showing posts with label Charlie Huston. Show all posts
Showing posts with label Charlie Huston. Show all posts

Friday, August 27, 2010

“Ya Wanna Do It Here Or Down The Station, Punk?”: JS Waters

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
THE GODFATHER. I loved the richness of the characters. It made you wish you were born Sicilian. I liked the diversity between and humanization of the ruthless.

What fictional character would you most like to have been?
Stephen Dedalus, PORTRAIT OF THE ARTIST AS A YOUNG MAN. I loved this book. Absolutely. James Joyce is why I wanted to be a writer.

Who do you read for guilty pleasures?
Stephen King, Clive Barker, Charlie Huston and Snorri Sturlson. I love horror and violence. It allows me to appreciate the peace and calm of my life. I’m an absolute freak about Norse culture and society. The old Viking sagas are violent, contemporary and give us a glimpse into the politics of 9th century life and how similar that is to our current state in some ways.

Most satisfying writing moment?
The smell of the printed pages the first time I opened the box of my new novel. I have been writing for over sixteen years. I started with role-playing games and transitioned into film and screenwriting. But there is just something different about a novel. A commitment of time, energy and plot that is the marathon of storytelling.

The best Irish crime novel is …?
THE GUARDS by Ken Bruen.

What Irish crime novel would make a great movie?
THE WRONG KIND OF BLOOD [by Declan Hughes] would definitely be my top candidate.

Worst / best thing about being a writer?
The worst thing about being a writer is I need absolute peace and quiet to work. I miss time with my children when I’m really locked into a session. Distractions break my cycle and I either have to stop all together or miss out on all the fun my family has in my absence. But the best reward for me is to entertain people. I love the fact that something I created in my brain that poured through my soul and out the fingers moved someone. I have the best job in the world. I get to watch the world and comment on what I see. I get to create anything in my world and make it reality on paper.

The pitch for your next book is …?
The disavowed son of a fallen angel conspires to kill the Antichrist, finding redemption and his humanity along the way.

Who are you reading right now?
Stieg Larsson, Stephen King, Craig Larson and Henry Perez.

God appears and says you can only write OR read. Which would it be?
WRITE. I can always find someone else to read to me. I would be miserable without my ability to tell stories. When I’m not writing, I’m talking. I’m always creating.

The three best words to describe your own writing are …?
Violent, raw and entertaining.

JS Waters’ THE MODERN PRIMITIVES is published by Draeconis.

Saturday, November 7, 2009

“Ya Wanna Do It Here Or Down The Station, Punk?”: C.J. Box

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
THE LAST GOOD KISS by James Crumley. I read it ages ago as a fledgling novelist and suddenly lights went on. I’ve talked to a surprising number of other writers over the years who’ve said the same thing.

What fictional character would you most like to have been?
Shane. As in the Jack Schaefer western novel.

Who do you read for guilty pleasures?
Thomas McGuane, Charlie Huston, John Sandford, Michael Connelly, Ken Bruen, Denise Mina, Megan Abbott. I’d also list Cormac McCarthy, but his writing makes me feel too guilty.

Most satisfying writing moment?
Starting the last third of the novel after everything else is in place and the horrifying and exhilarating sprint to the finish is about to begin.

The best Irish crime novel is …?
… an impossible question to answer. Books that have bowled me over include THE GUARDS by Ken Bruen and DEAD I WELL MAY BE by Adrian McKinty. I can’t wait to read THE BIG O, by some Burke fellow.

What Irish crime novel would make a great movie?
THE GUARDS, although I don’t know how the hell they’d make it. In order to get it right, all the movie-goers would have to agree to arrive drunk and continue to drink heavily (and quietly) throughout the film.

Worst / best thing about being a writer?
Best thing, seriously, is hearing from readers who claim that up until recently they were non-readers but now they’ve seen the light. Worst thing (or one of the worst) is when someone sidles up at a cocktail party and says, “If I had the time, I’d write a novel myself.” As if any writer HAS EVER HAD THE TIME.

The pitch for your next book is …?
“Imagine looking up at a wind turbine and seeing a body lashed to one of the enormous rotating blades…”

Who are you reading right now?
T. Jefferson Parker. He’s a friend and fly-fishing partner of mine, and his new one is fantastic.

God appears and says you can only write OR read. Which would it be?
Read. Although I’d be pretty put out about it.

The three best words to describe your own writing are …?
You are there.

CJ Box’s THREE WEEKS TO SAY GOODBYE is published on December 1

Thursday, June 5, 2008

“Ya Wanna Do It Here Or Down The Station, Punk?” # 2,041: Will Hoyle

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
CAUGHT STEALING by Charlie Huston. Marcus Sakey read some of my work and compared it to Charlie Huston. It took me a little while, but I eventually got around to checking him out. Amazing. CAUGHT STEALING is totally unputdownable. Lucky Number Slevin has a similar plotline, so when I’m watching that, I like to pretend I’m watching CAUGHT STEALING, even if only for a scene or two. Seriously, there should be a movie made from the book, for sure.
What fictional character would you most like to have been?
Tyler Durden from FIGHT CLUB, or One-Punch Mickey from Snatch. I’ve often wondered who would win in a fight. Nihilist guru Brad Pitt or derelict boozer Brad Pitt? I guess I’d end up being whoever won.
Who do you read for guilty pleasures?
I have several books on the IRA and the Catholics of Ulster. Ultimately depressing, but extremely interesting. Sorry to disappoint you ... I know you wanted to hear Nora Roberts or Danielle Steele.
Most satisfying writing moment?
The moment I finished my first book. I didn’t think it could ever be done, especially with the amount of pages I managed to do it in. Nothing to write home about, but for a poet who decided to collect some outlandish thoughts and some moody characters and to luckily tie up all the many loose ends he foolhardily unwound for himself, I was a fox in a hen house. Or a bull in China shop, one or the other.
The best Irish crime novel is …?
HIDDEN RIVER - Adrian McKinty. Strung out Irish ex-cop from Belfast, the Rocky Mountains, a hit squad from the Irish mob, a sexy platinum blond siren as breathless as Norma Jean, and Indian mysticism. What more does a good crime fiction story need?
What Irish crime novel would make a great movie?
DEAD I WELL MAY BE by Adrian McKinty. Here’s a shocking secret ... I like McKinty a lot.
Worst / best thing about being a writer?
Being a writer is the absolute best, comparable to being a movie director. Except the movies I’m making form inside my head and I make them come to life on paper. No one will ever see them in the same you light you do. The warm bodies you place into the roles of your characters, the soundtrack you have spinning during your opening and end credits, the directorial tricks that only the recesses of your mind can pull off ... it’s all your creation, yours and yours only. Once you write a few great characters and good strong story around them, I swear, the world could end but you’d always have that book that meant so much to you. No one can take that away.
The pitch for your next book is …?
Dark, pensive. Sad as a Jacobean tragedy but as bloody and gut-wrenching and shockingly brutal as the lingering intermission of a gladiatorial free-for-all.
God appears and says you can only write OR read. Which would it be?
Well ... all writers have their influences. If I chose to write and no longer read, I’d have my initial style of writing but I’d be forced to add no other spices to it later because I’d no longer have any other gifted writers to inspire me, to fuel my flames. If I chose to read, I could no longer write and therefore this vivid imagination of mine would go to waste. Ultimately, I think I’d go with writing because it’s what I love. A wonderful writer that I took a workshop with told that “writer’s write. That’s it. If they didn’t, they’d go mad.”
The three best words to describe your own writing are …?
Metaphoric. Poetic. Tangenty. I know that’s not really a word, but then again, neither is strategery, and that worked for George Bush the younger. Well, kinda.

Will Hoyle is the author of KILLING THE SWOON, which is currently under consideration with a number of publishers.
Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.