Saturday, July 9, 2011

Nobody Move, This Is A Review: The Guard

The Guard (15A)
Brendan Gleeson stars as Sergeant Gerry Boyle, a Connemara-based Garda whose feckless existence is compromised when FBI agent Wendell Everett (Don Cheadle) appears in Galway on the hunt for a gang of international drug smugglers. Written and directed by John Michael McDonagh, brother of the award-winning playwright Martin McDonagh, The Guard employs the narrative structure of a conventional police procedural to unleash a wickedly black comedy of manners. The culture-clash between the focused and driven Everett and the irreverent and occasionally criminal Boyle is sharply observed, with Cheadle (who co-produces) content to play the straight man to Gleeson’s foul-mouthed stream of non sequiturs. Both actors are in fine fettle, and the rest of the cast - including Liam Cunningham, Larry Wilmot and Fionnula Flanagan - are happy to cruise along in their slipstream and heighten the surreal sense of humour, which is rooted in a very Irish resentment of authority in any form. The latter stages flatten the characterisations as McDonagh sets in train a manic finale, which is a little too derivative of the comedy-crime caper staples to be truly satisfying, but for the most part The Guard is one of the funniest comedies of the year to date. **** - Declan Burke

This review first appeared in the Irish Examiner

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Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.