Showing posts with label St Patrick’s Day. Show all posts
Showing posts with label St Patrick’s Day. Show all posts

Saturday, March 15, 2014

The St. Patrick’s Day Massacre

Given that it’s the St. Patrick’s Day weekend, I thought I’d run a quick round-up of some interesting Irish crime fiction novels, aka ‘Emerald Noir’, that have appeared on ye olde blogge so far in 2014. It runs a lot like this:

THE BLACK-EYED BLONDE by Benjamin Black, aka the new Philip Marlowe novel.

UNRAVELLING OLIVER by Liz Nugent, an intriguing debut from an impressive new voice.

SLEEPING DOGS by Mark O’Sullivan, a sequel to one of the more interesting debuts I read last year.

THE RAGE by Gene Kerrigan, which was recently shortlisted in the LA Times’ Book Awards crime / mystery category.

BLUE IS THE NIGHT by Eoin McNamee, a superb novel which concludes his ‘Blue’ trilogy.

IN THE ROSARY GARDEN by Nicola White, another excellent debut.

HARM’S REACH by Alex Barclay, the latest in the Ren Bryce series, which I’ve been enjoying hugely.

THE FINAL SILENCE by Stuart Neville, the third novel to feature DI Jack Lennon.

KILMOON by Lisa Alber, a debut written by an American author and set in Ireland.

DEADLY INTENT by Anna Sweeney, which is to the best of my knowledge the first Irish crime novel translated from the Irish language.

THE WOLF IN WINTER by John Connolly, which is the latest Charlie Parker novel, and hotly anticipated it is too.

IN THE MORNING I’LL BE GONE by Adrian McKinty, which concludes his excellent Sean Duffy trilogy.

CAN ANYONE HELP ME? by Sinead Crowley, a forthcoming debut already attracting plenty of strong advance buzz.

  So there you have it – just some of the highlights from the last couple of months on Crime Always Pays. If you’re looking for another author, just type in the name in the search engine on the top left of the page, and off you go. Oh, and a very happy St. Patrick’s day to you, wherever you may be in the world …

Saturday, March 16, 2013

The St. Patrick’s Day Massacre; Or, Five Years of Truly Great Irish Crime Writing

UPDATE: Given the weekend that’s in it, I thought this was worth a re-post. Normal-ish service will resume shortly … Ed.

Crime Always Pays has been on the go for roughly five years now, and I’ve read some terrific Irish crime novels during that time. With St Patrick’s Day on the way, I thought I’d offer a sample of what has been called ‘Emerald Noir’ – although it’s fair to say that many of the writers on the list below could be represented by a number of their novels, and it's also true that I haven’t read every Irish crime novel published in that time. And so, in no particular order, I present for your delectation:
The Whisperers, John Connolly

The Cold Cold Ground, Adrian McKinty

Broken Harbour, Tana French

The Guards, Ken Bruen

The Chosen, Arlene Hunt

Winterland, Alan Glynn

The Wrong Kind of Blood, Declan Hughes

The Nameless Dead, Brian McGilloway

The Holy Thief, William Ryan

The Fatal Touch, Conor Fitzgerald

Blood Loss, Alex Barclay

Mystery Man, Colin Bateman

My Lady Judge, Cora Harrison

Peeler, Kevin McCarthy

The Last Girl, Jane Casey

The Twelve, Stuart Neville

Orchid Blue, Eoin McNamee

Torn, Casey Hill

Plugged, Eoin Colfer

Elegy for April, Benjamin Black

Ghost Town, Michael Clifford

The Rage, Gene Kerrigan

Thursday, March 17, 2011

DOWN THESE GREEN STREETS: A Cead Mile Failte From Ireland

“I didn’t want to write about the mean streets until we had them,” Ken Bruen once said, when asked why he had set his early novels in London rather than Ireland. “But by God, we’ve got them now.”
  That we have, and one consequence is DOWN THESE GREEN STREETS: IRISH CRIME WRITING IN THE 21st CENTURY, which will be published by Liberties Press in April. Quoth the blurb elves:
A fantastically detailed book consisting of essays, interviews and short fiction regarding Irish crime writing in the 21st century. Contributors include distinguished crime writers such as John Connolly, John Banville, Tana French and Alex Barclay. This book suggests crime fiction is now the most relevant and valid form of writing that can deal with modern Ireland in terms of the post-‘Troubles’ landscape and post-Celtic Tiger economic boom. The book takes a chapter-by-chapter approach, with each chapter and author discussing a different facet of Irish crime writing; for example, Declan Hughes discusses the influence of American culture on Irish crime writing and Tana French reflects on crime fiction and the post-Celtic Tiger Irish identity.
  The collection is something of a Who’s Who of contemporary Irish crime fiction, with contributions (in order of appearance) from John Connolly, Ruth Dudley Edwards, Kevin McCarthy, Cora Harrison, Adrian McKinty, Cormac Millar, Alan Glynn, Eoin McNamee, Jane Casey, Declan Hughes, Alex Barclay, Colin Bateman, Paul Charles, Niamh O’Connor, Gerard Brennan, Ingrid Black, John Banville, Stuart Neville, Gene Kerrigan, Gerry O’Carroll, Arlene Hunt, Andrew Nugent, Brian McGilloway, Neville Thompson, Tana French and Ken Bruen. It also features a foreword by Michael Connelly, an introduction by Professor Ian Ross of Trinity College, an appreciation of crime narratives in theatre and film by Sara Keating and Tara Brady, respectively, and an afterword by Fintan O’Toole.
  Given the constraints of space, and the relatively slow pace of publishing and the much more rapid rate at which Irish crime writers are appearing, the collection can’t claim to be comprehensive. As editor, I’d have liked to have included writers such as Garbhan Downey, Ava McCarthy, Bob Burke and Rob Kitchin. Meanwhile, debut novels from Brian O’Connor, Casey Hill, Gerard O’Donovan, William Ryan and Conor Fitzgerald have only appeared in the last nine months or so.
  That said, GREEN STREETS is as comprehensive and contemporary as was possible given the constraints mentioned, and I’ll be delighted to see it land on the shelf next month. Relieved, I think, more than anything else, not least because there were times when it seemed as if the collection would never see the light of day, but very proud too. Although I should say, I feel proud on behalf of the writers involved rather than for myself, because I have no sense of ‘ownership’ of the book, in the way I would if the book was a novel of mine. The collection belongs to the contributors, who chose their own speciality topic, or preference, and I hope that the collection will go some way to ensuring that a body of very fine writers finally get the kind of credit here in Ireland that they already enjoy in the US, the UK, and further afield.
  Ireland is a pretty small place, it’s true, but even at that there’s no community of Irish crime writers per se, no single cohesive theme running through the body of work, no regular meetings of like-minded folk (or if there is, they’re not telling me about it). What I hope the book marks, other than the obvious development of a distinct body of Irish crime fiction, is the sheer diversity of styles, themes and tones: historical fiction, high-concept thrillers, police procedurals, private eyes, comedy capers, gritty noir, post-modern investigation, paranoid conspiracy, serial killers, post-‘Troubles’ novels, and more. Indeed, the diversity is such that some of the writers have no interest at all in rooting their novels in Ireland.
  So there it is: DOWN THESE GREEN STREETS: IRISH CRIME WRITING IN THE 21st CENTURY. If there are any bloggers and / or reviewers out there interested in receiving an ARC, just drop me a line at the usual address or leave a message in the comment box, with the appropriate contact details. And a céad míle fáilte, aka a hundred thousand welcomes, to you all from CAP Towers on St Patrick’s Day …
Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.