Happily, I finally got back from Bouchercon to find two new reviews of THE BIG O wandering aimlessly around ye olde interwebbe, the first from Adam Woog at The Seattle Times, the gist of which runneth thusly:
“Declan Burke’s THE BIG O is full of dry Irish humour, a delightful caper revolving around a terrific cast … If you don’t mind the occasional stretch of credulity, the result is stylish and sly.”Thank you kindly, Mr Woog - we don’t mind if you don’t. After that came Luan Gaines, who has already given THE BIG O the old hup-ya over on Amazon.com, holding forth on Curled Up With a Good Book:
“I wasn’t sure what to expect in Burke’s Irish thriller, humour and crime not of particular interest to me. But I was seduced by Burke’s writing style - short, incisive dialog, heavy on attitude and rife with implication … a tale that begins with criminal intent and snowballs into a messy denouement that leaves little doubt about Burke’s skills as a writer of an ironic and entertaining thriller.”Who dares, Gaines – or words to that effect. A rather long post about all the wunnerful folk I met in Baltimore will be forthcoming in the very near future, but right now I’m boarding the train for Sleepytown. Night-night, Mary-Ellen …
Really really liked the Big O,Dec, even though generally comic crime capers are not my favourite subgenre.
ReplyDeleteI'd go as far as saying it is the best,or at least the one I've most enjoyed,of the novels of its kind I've read(which includes some by the August Personages you're compared to in the blurbs and reviews);after finishing it I experienced withdrawal symptoms.
Hope it won't take long for the release of The Blue Orange.
I also liked Eightball Boogie,but for my taste the constant wisecracking didn't mesh so well with its overall darker and more emotional tone - I would probably have enjoyed it more with a different balance of the ingredients,but it's a matter of personal preference, not a critique.
Ciao,
Marco