Showing posts with label Margery Allingham. Show all posts
Showing posts with label Margery Allingham. Show all posts

Tuesday, December 7, 2010

“Ya Wanna Do It Here Or Down The Station, Punk?”: Jane Casey

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
Margery Allingham’s THE TIGER IN THE SMOKE. It’s very old-fashioned but quite brilliant – a hunt for a vicious killer through foggy post-war London, peopled with maimed survivors of the conflict. You have to read it in one sitting. The tension is almost unbearable.

What fictional character would you most like to have been?
Dorothy L. Sayers’ Harriet Vane (without having to stand trial for murder, preferably).

Who do you read for guilty pleasures?
Young adult fiction. I used to work as a commissioning editor in children’s publishing and I’m proud of buying a few YA books that did very nicely. I missed out on a few that I regret to this day! I love how intense teenagers are about their lives and relationships; YA fiction is just brilliant when it’s done well. I still won’t read it in public, though.

Most satisfying writing moment?
Finishing my second book, THE BURNING. I was on the phone to my editor while sitting on the floor of my living room, typing with one hand and trying to distract my then seven-month-old son with the other. The last-minute changes were nail-biting but necessary, and clicking on ‘save’ was a beautiful moment.

The best Irish crime novel is …?
I love John Banville’s Benjamin Black novels – CHRISTINE FALLS, if I must pick.

What Irish crime novel would make a great movie?
Stuart Neville’s THE TWELVE. All those ghosts are crying out to be put on film.

Worst / best thing about being a writer?
The best thing is spending your working life in a world of your own creation, with characters that you love. The worst thing is that your working life is your life. I don’t know how to switch off that part of my brain so I never truly relax, even between books. But I’d be lying if I said I hated that.

The pitch for your next book is …?
DC Maeve Kerrigan returns to hunt for a killer preying on convicted paedophiles.

Who are you reading right now?
I’m re-reading THE MURDER FARM by a German writer, Andrea Maria Schenkel. It’s very short, very assured, utterly compelling and original. It was her first book, which is just extraordinary.

God appears and says you can only write OR read. Which would it be?
Read. I would get bored with only my own thoughts and ideas to entertain me. And I could always think about what I’d write if I was allowed. I had my first novel in my head for about two years before I ever typed a sentence, so I’m used to it!

The three best words to describe your own writing are …?
Dark and light.

Jane Casey’s THE BURNING is published by Ebury Press.

Tuesday, December 2, 2008

On Equal Writes For Wimmin

I recently interviewed four Irish female crime writers – Ruth Dudley-Edwards (right), Arlene Hunt, Alex Barclay and Ingrid Black – for the Sunday Independent about being, y’know, crime writers who are Irish and women. Anyhoos, one of the questions was about why Irish crime writing has so far been dominated by men. Quoth ‘Cuddly’ Dudley-Edwards:
“It may be that Irish crime fiction is dominated by men because so far, it has tended toward the noir,” suggests Dudley-Edwards. “Certainly, very many of the most famous names in classical English crime fiction are female: Agatha Christie, Margery Allingham, Dorothy Sayers, PD James, Ruth Rendell. Indeed Reginald Hill has a story of being at a cultural event in France where an earnest man rose to ask why most of the writers of the Golden Age [the Thirties] of detection were women. ‘Because,’ explained Reg, ‘all the men were dead.’”
  Oh, and Arlene Hunt is adamant that women no longer need fainting couches. For the rest, clickety-click here.

Wednesday, August 13, 2008

“Ya Wanna Do It Here Or Down The Station, Punk?”: Kevin Lewis

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
THE LADY IN THE LAKE by Raymond Chandler and TIGER IN THE SMOKE by Margery Allingham.
What fictional character would you most like to have been?
It’s not crime but definitely Indiana Jones.
Who do you read for guilty pleasures?
Viz.
Most satisfying writing moment?
Finishing my first crime novel, KAITLYN.
The best Irish crime novel is …?
THE KILLING OF THE TINKERS by Ken Bruen.
What Irish crime novel would make a great movie?
THE KILLING OF THE TINKERS.
Worst / best thing about being a writer?
Worst – the loneliness. Best – Seeing my work in book form ready for the readers.
The pitch for your next book is …?
I wanted to keep writing about what I know best – the sprawling and nasty urban estates, the crime and brutality of the gangs and the harsher realities of London life. My new novel, FALLEN ANGEL is the first novel in a new series featuring DI Stacey Collins – a single mum in her 30s, and a gritty hard-nosed detective in the Metropolitan Police.
Who are you reading right now?
A FAREWELL TO ARMS by Ernest Hemingway.
God appears and says you can only write OR read. Which would it be?
Write, because then I can read what I’ve written.
The three best words to describe your own writing are …?
Fast. Paced. Thrillers.

Kevin Lewis’ FALLEN ANGEL is published by Penguin Books
Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.