Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...
What crime novel would you most like to have written?
This may sound perverse, but I’d love to channel the darkness that burbles around inside Gillian Flynn. She’s wicked! Have you seen photos of her? Looks like she bakes pies for homeless people. Any of her novels will do: SHARP OBJECTS, DARK PLACES, or GONE GIRL.
What fictional character would you most like to have been?
Fictional characters go through too many hardships and conflicts before their happy endings. I’m too lazy for all that. There’s gotta be a sidekick out there who lives a charmed life and is only around enough to support the hero. That’s more my speed. Anyone got any ideas for me?
Who do you read for guilty pleasures?
DA VINCI CODE-type thrillers are my guilty pleasures because I love all that Catholic Church conspiracy stuff. I also like pseudo-scientific symbology stuff that incorporates our greatest myths into the story lines. I just finished a thriller centred around the Amazons. Fun stuff.
Most satisfying writing moment?
The “a-ha.” You know when you’re writing along, maybe it’s not going well, but you’re slapping down the words anyhow (knowing you’ll have a helluva rewrite later), and then somehow, you lose sense of yourself and time and the world around you, and then later you come to and an hour has passed and you can’t remember what you wrote exactly, but you know it’s something grand? Yeah, that. That’s what I love. It’s rare, but the potential is always there. Also, the a-ha moment when you’re writing along and all of a sudden a fantastic idea comes to you out of nowhere -- a plot twist or character revelation -- and you feel so euphoric, the best high ever, that you jump out of your chair and do a little jig that causes your cat to tear out of the room? Yeah, that too.
If you could recommend one Irish crime novel, what would it be?
I’m still in Irish-crime-novel discovery mode! Some of the obvious recommendations for people like me who aren’t as well-read as they could be are Tana French and Benjamin Black (a.k.a. John Banville) – and you too. Immediate curiosity has me leaning toward checking out Arlene Hunt, Adrian McKinty, Declan Hughes, and Bartholomew Gill (although he’s Irish-American) next.
What Irish crime novel would make a great movie?
Benjamin Black’s first mystery, CHRISTINE FALLS, would make a fabulous movie. I picture something stylized, gritty, atmospheric, and filmed in a limited palette (neo-noir Mulholland Drive comes to mind). The way the central mystery about dead Christine slowly circles in on the starring detective’s family baggage is great. Plus, it’s got Catholic Church stuff in it. Like I said above, I can’t get enough of that.
Worst / best thing about being a writer?
Right now, the worst thing about being a novelist is my need for a day J-O-B. It’s a creative energy sucker, that’s for sure. I struggle to find energy to get the fiction writing in--before work, after work, on weekends. I’m the kind of person who needs long swaths of down time to stay centred and to rejuvenate. The best things are the ‘a-ha’ moments I described above.
The pitch for your next book is ...?
My debut novel, KILMOON, just came out. It’s set in County Clare, the first in a series.
“Family secrets, betrayal, and vengeance from beyond the grave … Merrit Chase is about to meet her long-lost father. Californian Merrit Chase travels to Ireland to meet her father, a celebrated matchmaker, in hopes that she can mend her troubled past. Instead, her arrival triggers a rising tide of violence, and Merrit finds herself both suspect and victim, accomplice and pawn, in a manipulative game that began thirty years previously. When she discovers that the matchmaker’s treacherous past is at the heart of the chaos, she must decide how far she will go to save him from himself—and to get what she wants, a family.”
I’m working on the second novel in the series, for the moment called Grey Man. Things get personal, oh so personal, when a teenage boy dies and disaster hits Detective Sergeant Danny Ahern’s family as a result.
Who are you reading right now?
I’m trying out an author I’ve never read before: James Barney, THE JOSHUA STONE. Another in the realm of guilty pleasures because it features secret government experiments and voodoo science.
God appears and says you can only write OR read. Which would it be?
I could give up writing if I had to (it’s freaking hard work!), but never reading. Reading goes along with those long swaths of down time I require.
The three best words to describe your own writing are ...?
Atmospheric, multi-layered, and intricate.
KILMOON is Lisa Alber’s debut novel.
Showing posts with label Lisa Alber. Show all posts
Showing posts with label Lisa Alber. Show all posts
Sunday, May 4, 2014
Saturday, March 15, 2014
The St. Patrick’s Day Massacre
Given that it’s the St. Patrick’s Day weekend, I thought I’d run a quick round-up of some interesting Irish crime fiction novels, aka ‘Emerald Noir’, that have appeared on ye olde blogge so far in 2014. It runs a lot like this:
THE BLACK-EYED BLONDE by Benjamin Black, aka the new Philip Marlowe novel.
UNRAVELLING OLIVER by Liz Nugent, an intriguing debut from an impressive new voice.
SLEEPING DOGS by Mark O’Sullivan, a sequel to one of the more interesting debuts I read last year.
THE RAGE by Gene Kerrigan, which was recently shortlisted in the LA Times’ Book Awards crime / mystery category.
BLUE IS THE NIGHT by Eoin McNamee, a superb novel which concludes his ‘Blue’ trilogy.
IN THE ROSARY GARDEN by Nicola White, another excellent debut.
HARM’S REACH by Alex Barclay, the latest in the Ren Bryce series, which I’ve been enjoying hugely.
THE FINAL SILENCE by Stuart Neville, the third novel to feature DI Jack Lennon.
KILMOON by Lisa Alber, a debut written by an American author and set in Ireland.
DEADLY INTENT by Anna Sweeney, which is to the best of my knowledge the first Irish crime novel translated from the Irish language.
THE WOLF IN WINTER by John Connolly, which is the latest Charlie Parker novel, and hotly anticipated it is too.
IN THE MORNING I’LL BE GONE by Adrian McKinty, which concludes his excellent Sean Duffy trilogy.
CAN ANYONE HELP ME? by Sinead Crowley, a forthcoming debut already attracting plenty of strong advance buzz.
So there you have it – just some of the highlights from the last couple of months on Crime Always Pays. If you’re looking for another author, just type in the name in the search engine on the top left of the page, and off you go. Oh, and a very happy St. Patrick’s day to you, wherever you may be in the world …
THE BLACK-EYED BLONDE by Benjamin Black, aka the new Philip Marlowe novel.
UNRAVELLING OLIVER by Liz Nugent, an intriguing debut from an impressive new voice.
SLEEPING DOGS by Mark O’Sullivan, a sequel to one of the more interesting debuts I read last year.
THE RAGE by Gene Kerrigan, which was recently shortlisted in the LA Times’ Book Awards crime / mystery category.
BLUE IS THE NIGHT by Eoin McNamee, a superb novel which concludes his ‘Blue’ trilogy.
IN THE ROSARY GARDEN by Nicola White, another excellent debut.
HARM’S REACH by Alex Barclay, the latest in the Ren Bryce series, which I’ve been enjoying hugely.
THE FINAL SILENCE by Stuart Neville, the third novel to feature DI Jack Lennon.
KILMOON by Lisa Alber, a debut written by an American author and set in Ireland.
DEADLY INTENT by Anna Sweeney, which is to the best of my knowledge the first Irish crime novel translated from the Irish language.
THE WOLF IN WINTER by John Connolly, which is the latest Charlie Parker novel, and hotly anticipated it is too.
IN THE MORNING I’LL BE GONE by Adrian McKinty, which concludes his excellent Sean Duffy trilogy.
CAN ANYONE HELP ME? by Sinead Crowley, a forthcoming debut already attracting plenty of strong advance buzz.
So there you have it – just some of the highlights from the last couple of months on Crime Always Pays. If you’re looking for another author, just type in the name in the search engine on the top left of the page, and off you go. Oh, and a very happy St. Patrick’s day to you, wherever you may be in the world …
Labels:
Adrian McKinty,
Alex Barclay,
Benjamin Black,
Eoin McNamee,
Gene Kerrigan,
Irish crime mystery fiction,
John Connolly,
Lisa Alber,
Liz Nugent,
Sinead Crowley,
St Patrick’s Day,
Stuart Neville
Monday, February 10, 2014
The Dark Side Of Kilmoon
There’s a goodly number of Irish crime writers who have been influenced by Californian authors – yours truly among them – but here’s a novel twist: a Californian writer setting her crime debut in Ireland. Lisa Alber – for lo! It is she, etc. – will publish KILMOON (Muskrat Press) next month. To wit:
Californian Merrit Chase doesn’t know what she’s in for when she travels to an Irish village famous for its matchmaking festival. She simply wants to meet her father, a celebrated matchmaker, in hopes that she can mend her troubled past. Instead, her arrival triggers a rising tide of violence, and Merrit finds herself both suspect and victim, accomplice and pawn, in a manipulative game that began thirty years previously.For more on Lisa Alber, clickety-click here …
When she discovers that the matchmaker’s treacherous past is at the heart of the chaos, she must decide how far she will go to save him from himself and to get what she wants, a family.
Lisa Alber evokes a world in which ancient tradition collides with modern village life and ageless motivators such as greed and love still wield their power. KILMOON captures the moodiness of the Irish landscape in a brooding mystery that explores family secrets, betrayal, vengeance, and murder.
Labels:
Irish crime mystery fiction,
Kilmoon,
Lisa Alber
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Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.


