Showing posts with label John Curran. Show all posts
Showing posts with label John Curran. Show all posts

Monday, June 30, 2014

Murder, She Wrote

I was on Twitter last week, in a conversation about YA books and teenage reading, and I mentioned that the twin pillars of my teenage reading years – or so it seems, looking back through rose-tinted binoculars – were Agatha Christie (right) and Sven Hassel. Which very probably explains a lot about the kinds of books I like to write now.
  Anyway, there may come a time when I write a feature about why Sven Hassel loomed so large in my imagination, but for now I’ll point you in the direction of a piece I had published last week in the Irish Examiner on the enduring – and indeed, the increasing – popularity of Dame Agatha Christie. It features contributions from Sophie Hannah, who will publish her Poirot novel THE MONOGRAM MURDERS in September, and the inimitable John Curran, who very likely knows more about Agatha Christie than anyone else on the planet.
  If you’re in the mood, you can find the feature here

Sunday, May 5, 2013

The Agatha Awards: BOOKS TO DIE FOR

I’m delighted to announce that BOOKS TO DIE FOR, edited by John Connolly, Clair Lamb and yours truly, has won the Agatha Award for Best Non-Fiction at the annual Malice Domestic convention.
  The Agatha Awards, for those of you unfamiliar with them, ‘honour the “traditional mystery.” That is to say, books best typified by the works of Agatha Christie as well as others.’
  It’s a considerable honour, and I’m particularly thrilled for John and Clair, but also for all the writers who contributed to BOOKS TO DIE FOR – it goes without saying, but I’ll say it anyway, that this award belongs to every one of them as much as it does the book’s editors.
  For all the Agatha Awards shortlists and winners, clickety-click here.
  It’s been a real roller-coaster week for BOOKS TO DIE FOR. We were hugely honoured to be shortlisted for Thursday night’s Edgar Awards, and naturally we were disappointed not to win. That disappointment was offset on Friday by the news that BTDF has been shortlisted for the HRF Keating Award at Crimefest, where the book will find itself, again, in some very fine company. To wit:
Declan Burke & John Connolly for BOOKS TO DIE FOR (Hodder & Stoughton, 2012)
John Curran for AGATHA CHRISTIE’S SECRET NOTEBOOKS (HarperCollins, 2009)
Barry Forshaw (editor) for BRITISH CRIME WRITING: AN ENCYCLOPEDIA (Greenwood World Publishing, 2008)
Christopher Fowler for INVISIBLE INK (Strange Attractor, 2012)
Maxim Jakubowski (editor) for FOLLOWING THE DETECTIVES (New Holland Publishers, 2010)
P.D. James for TALKING ABOUT DETECTIVE FICTION (The Bodleian Library, 2009)
  Incidentally, I’ll be hosting a panel at Crimefest on BOOKS TO DIE FOR, featuring contributors Peter James, Yrsa Sigurdardottir and Brian McGilloway. If you’re going to be in Bristol that weekend, we’d love to see you there.

Sunday, July 3, 2011

On Gene Kerrigan, Agatha Christie And Quantum Mechanics

The latest of the Irish Times’ Crime Beat columns was published yesterday, and led off with a review of THE RAGE by Gene Kerrigan. To wit:
THE RAGE (Harvill Secker, £11.99) is the fourth novel from journalist Gene Kerrigan, a serial chronicler of Dublin’s criminal underworld who was last year shortlisted for the CWA Gold Dagger, and was the winner of the Irish Book Awards’ crime fiction prize, for his previous offering, DARK TIMES IN THE CITY (2009). THE RAGE essentially blends two stories, that of Detective Sergeant Bob Tidey, who is investigating the apparent suicide of a banker of dubious morality, and that of Vincent Naylor, a low-level criminal recently released from prison with plans to move up in the world. That the men will eventually cross paths is inevitable, although it’s Kerrigan’s quality of gritty realism that renders THE RAGE an enjoyable page-turner as Tidey negotiates the blind alleys of a labyrinth constructed by officious judges, corrupt lawyers, and even his own superiors. Largely recession-proof (“Bob Tidey was in the law and order business, and whatever else went belly-up there’d always be hard men and chancers and a need for someone to manners on them.”), Tidey is an empathic character, pragmatic rather than idealistic, but what makes THE RAGE a compulsive document of post-Celtic Tiger Ireland is Tidey’s growing awareness that the moral anarchy that reigns at all levels of Irish society means that the old rules no longer apply, especially when it comes to enforcing a crude approximation of law and order, by any means necessary.
  Also reviewed are SJ Watson’s BEFORE I GO TO SLEEP, Erin Kelly’s THE POISON TREE, Mary Higgins Clark’s I’LL WALK ALONE, and Keigo Higashino’s THE DEVOTION OF SUSPECT X, which last I heartily recommend as an erudite, thought-provoking thriller. For the full column, clickety-click here
  Meanwhile, there was some interesting short-list nominations during the week. Mind you, the only real surprise would have been had Tana French’s ubiquitous FAITHFUL PLACE (which has so far been short-listed for an Edgar, an Anthony and a LA Times book award this year) not made the Best Mystery list in the Macavity Awards.
  A less-trumpeted title, on these pages at least, is John Curran’s AGATHA CHRISTIE’S SECRET NOTEBOOKS: FIFTY YEARS OF MYSTERIES IN THE MAKING, a labour of love that contains no less than two unpublished Poirot short stories, and which pops up in the Best Mystery-Related Nonfiction section. Incidentally, the follow-up to SECRET NOTEBOOKS will be published in September under the title AGATHA CHRISTIE’S MURDER IN THE MAKING, all of which may or may not mean that Curran’s doctoral thesis on Christie, undertaken at Trinity College, Dublin, may or may not be on the backburner for now. For the full rundown of Macavity nominees, you know what to do
  Elsewhere, William Ryan beat off some stiff contenders (oo-er, vicar, etc.) to make the Theakston’s Old Peculier shortlist, a feat that’s all the more impressive when you consider that his novel, THE HOLY THIEF, is a debut offering. Another serial nominee, which has already been under consideration for Best Novel awards with the CWA and the Listowel Writer’s Week, THE HOLY THIEF will see its sequel, THE BLOODY MEADOW, published in September. All of which means that William Ryan is very probably feeling rather pleased with himself right now, and deservedly so. For the full list of nominees, via Kiwi Crime, clickety-click here
  Finally, those of you pining for the stentorian tones of the Dark Lord himself, John Connolly, should click on this interview with the Daily Telegraph, in which the HELL’S BELLS author waxes lyrical about hell, bells and why he was entitled to, and duly received, an apology from CERN for the quality of his understanding of quantum mechanics. Proper order, too …

Friday, October 24, 2008

And Then There Was More

A lifelong Agatha Christie fan and an advisor to the Christie estate, John Curran (not pictured, right) is the Dubliner who last month announced the discovery of two previously unknown Poirot stories he’d found whilst sorting through Christie’s papers. Details are a little fuzzy as to if and where the stories will be published, with some sources suggesting they’ll appear in Curran’s THE NOTEBOOKS OF AGATHA CHRISTIE, due in March 2009. Best man to clear up the confusion? Probably John Curran himself. Happily, John will be speaking about his forthcoming book and Agatha Christie’s life and legacy at the Dublin City Library & Archive, 138-144 Pearse Street, Dublin 2, on Thursday November 6th at 6.30pm. The press release doesn’t mention an admission price, but booking is probably advised. For more details, telephone 01 674 4873 or email dublinpubliclibraries@dublincity.ie.
  Incidentally, Wikipedia claims that Agatha Christie has sold roughly four billion copies of her books. That’s four billion. Consider my gast well and truly flabbered.
Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.