Showing posts with label Joe Gores. Show all posts
Showing posts with label Joe Gores. Show all posts

Thursday, February 10, 2011

“Ya Wanna Do It Here Or Down The Station, Punk?”: Gerald So

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
THE JADE FIGURINE (1972) by Jack Foxx (a.k.a. Bill Pronzini). It’s a little MALTESE FALCON, a little TALES OF THE GOLD MONKEY.

What fictional character would you most like to have been?
Either Bill Smith or Lydia Chin by S.J. Rozan.

Who do you read for guilty pleasures?
Tom Clancy, Lee Child, Lee Goldberg’s Monk books ...

Most satisfying writing moment?
The whole process of writing a poem: Jotting down an idea, working on it, finishing it, and submitting it.

The best Irish crime novel is …?
I’d like to read more Irish crime novels, but for now I’ll go with HER LAST CALL TO LOUIS MACNEICE by Ken Bruen.

What Irish crime novel would make a great movie?
THE WRONG KIND OF BLOOD by Declan Hughes.

Worst / best thing about being a writer?
Worst and best is coming up with characters and a story on one’s one. It’s a tremendous accomplishment, but necessarily a lonely one. Discussing writing with friends or others is fun for a while, but it isn’t writing.

The pitch for your next book is …?
I’ll pitch THE LINEUP 4, which goes on sale April 1: 26 poets, 32 poems, 52 pages, our largest issue yet, for the same $7.

Who are you reading right now?
Seth Harwood, YOUNG JUNIUS, probably followed by Joe Gores, SPADE AND ARCHER.

God appears and says you can only write OR read. Which would it be?
Write. I need an outlet for all this thinking.

The three best words to describe your own writing are …?
“Terse and powerful.” :) Or, terse, pensive, powerful.

THE LINE-UP 4, a collection of poetry edited by Gerald So, Reed Farrel Coleman, Sarah Cortez and R. Navarez, is available at Poetic Justice Press.

Sunday, February 17, 2008

All Hands On Decker

The rather foxy Stacia Decker (right) was the editor of CAP’s Grand Vizier, Declan Burke, for the five minutes or so between when she signed his humble offering THE BIG O for Harcourt and the merger between Harcourt and Houghton Mifflin. Sadly, Stacia became a casualty of said merger, as Sarah Weinman reports. To wit:
On Friday, Publishers Weekly reported that four editors at the now-combined Houghton Mifflin Harcourt had been laid off, a move anticipated for quite some time after Riverdeep, Houghton Mifflin’s parent company, bought out Harcourt late last year and the two similar but distinct trade devisions were merged together. Later that day Publishers Marketplace cited who they were: Webb Younce, Jane Rosenman and Anton Mueller on the Houghton side, and Stacia Decker on the Harcourt side.
  The Houghton layoffs are bad news on the literary fiction and non-fiction front - authors who count any of the three editors as theirs include Mary Sharratt, Laleh Khadivi, Jonathan Miles, Elinor Lipman, Nicole Mones, Jenefer Shute, Timothy Egan, Mark Slouka, Anchee Min, Jonathan Chait, Taylor Antrim, Steven Sherrill and Colum McCann – but Decker’s dismissal is a huge blow for the mystery genre.
  Not only was Decker tasked with editing most of the books Otto Penzler acquired for his eponymous imprint, an author stable that includes John Harvey, Thomas Perry, Andrew Klavan, Joe Gores and Joyce Carol Oates, but she acquired many excellent and interesting writers treading on the side of noir, such as Allan Guthrie, Ray Banks, John McFetridge, James Sallis and Declan Burke, as well as Inger Wolfe. No wonder Spinetingler Magazine recently voted her as “Best Editor” in their inaugural awards given out a few weeks ago.
  What Decker’s leaving means for those authors, as well as Penzler’s imprint, remains to be seen, but I’m not feeling a lot of optimism at this point for an imprint that took care to publishing quality crime fiction exclusively in hardcover and trade paperback. I do feel optimism, however, for Decker, who not only has good editorial taste but some very shrewd instincts that will serve her well at her next editorial job. She’ll also, I hope, continue writing, as her work has appeared in The Missouri Review, Nerve, South Dakota Review, Small Spiral Notebook, Mr. Beller’s Neighborhood, and Faultline, among other publications. But once again, this news shows the dark side of publisher consolidation, a side that probably won’t lighten up anytime soon.
All of which is quite doomy and gloomy, but we believe cream always rises to the top and that Stacia will be beating off potential suitors before you can say ‘all hands on Decker’. You go, girl ...
Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.