BEST NOVELTough competition, for sure, and we’ll be keeping a weather-eye on yon multi-award-winning Reed Farrel Coleman in particular. The nicest part of the announcement for yours truly was that I got to hear about it last Thursday, when my evil-twin alter-ego let slip the news over a few scoops in Fitzgerald’s of Sandycove. Now Fitzgerald’s, as you may or may not know, is something of a shrine to James Joyce, being but a fried kidney’s throw from the Martello Tower of ULYSSES fame. It was, I have to say, a nice juxtaposition – Ed Loy as a latter-day Leo Bloom, perambulating the mean streets of Dublin and digging out the foibles and idiosyncrasies of his generation. What’s that? You didn’t know that ULYSSES was a murder mystery? Ah, the ineluctable modality of it all …
Thomas Cavanagh, HEAD GAMES (St. Martin’s Minotaur)
Reed Farrel Coleman, SOUL PATCH (Bleak House Books)
Declan Hughes, THE COLOR OF BLOOD (William Morrow)
Michael Koryta, A WELCOME GRAVE (Thomas Dunne/SMP)
William Lashner, A KILLER'S KISS (William Morrow)
Showing posts with label Fitzgerald’s of Sandycove. Show all posts
Showing posts with label Fitzgerald’s of Sandycove. Show all posts
Monday, August 4, 2008
On The Ineluctable Modality Of Shamus Nominations
Labels:
Declan Hughes,
Fitzgerald’s of Sandycove,
James Joyce,
Leopold Bloom,
Reed Farrel Coleman,
Sarah Weinman,
Shamus nominations,
Ulysses
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Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.