Thursday, November 1, 2012

On Putting The ‘Laughter’ Into ‘Slaughter’

‘Writing 3.0’ is the rather bold title of the 2012 Fingal Annual Writing Festival, which runs from November 2nd - 10th and describes itself thusly:
Writing 3.0 initially evolved from the well established ‘Finscéal: A Writer’s Trail of Fingal’ an initiative for writers and readers throughout Fingal since 2005. The shift to Writing 3.0 in 2010 conceptualised the writing process in the twenty-first century; how it evolves from the blank page across a range of technologies associated with creativity that potentially reaches vast audiences. Writing 3.0 2012 continues its focus on the writing process today, with Fingal Libraries Department and Fingal Arts Office collaborating once again to extend the emphasis on writing towards performance and uplifting experiences. This year we have programmed workshops and performances on rap, coding for computer games and animation, improvisation, songwriting, screenwriting and performance poetry, as well as the traditional focus on writing and reading poetry and fiction.
  It’s a heady brew, and I’m very much looking forward to taking part when I take to the stage at 8pm next Thursday evening, November 8th, for a reading from SLAUGHTER’S HOUND and an interview in the company of Edel Coffey, when we’ll do our level best to put the ‘laughter’ into ‘slaughter’. If you’re likely to be in the vicinity of Blanchardstown Library next Thursday, I’d love to see you there. All the information and booking details can be found here
  In other news, SLAUGHTER’S HOUND received a rather interesting review from Dana King. To wit:
“The writing … is dead-on and perfect for the situation. Burke is able to capture the occasional absurdity of Rigby’s early situation and inexorably ratchet up the tension to the darkness that captures the end of the book […] Rigby’s actions become progressively more violent until gruesome is not too strong a word. It’s a risk worth taking for those who like their crime fiction to look at the effects of a story’s events on both the doer and those who have been done.”
  Dana reckons that SH is a ‘seamless blend’ of Ray Chandler and Ray Banks, although he does concede that such a blend won’t be to the taste of every reader. For the full review, clickety-click here
  Finally, the lovely people at TV3’s Ireland AM programme - who sponsor the Crime Fiction gong at the Irish Book Awards - were kind enough to invite me along to their couch for interview yesterday morning. As always, the experience was a hugely enjoyable one, although Mark Cagney’s insistence that Harry Rigby is a colder-than-usual killer had me feeling that I was sitting on a different kind of couch entirely by the time it was all over. Watch out for all the other nominees on the Ireland AM Best Crime Fiction Novel list, who will be taking their place on the couch in the next couple of weeks. And if you think you can stand it, here’s the link to yesterday’s interview

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Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.