Stop The Press: Dublin Dead!

As a title, DUBLIN DEAD may well be the Platonic essence of the current wave of Irish crime writing, quite a lot of which is set in Dublin, and - unsurprisingly - features dead bodies. It’s the second offering from Gerard O’Donovan, following on from his debut PRIEST, and features that novel’s journalist Siobhan Fallon and DI Mike Mulcahy. Quoth the blurb elves:

Journalist Siobhan Fallon needs the help of DI Mike Mulcahy with a story she’s covering about the disappearance of a young woman from Cork. When he agrees, the duo find themselves dragged into the ruthless world of international drug smuggling - and finding a link between the murder of a retired drug dealer in Spain, the suicide of an estate agent in Bristol and a yacht abandoned off the south coast of Ireland. Once again justice and journalism make awkward bedfellows as Mulcahy and Fallon run a desperate race against a remorseless enemy determined to silence the one person alive who knows the truth ...

  Given the number of Irish criminals who operate out of southern Spain, it’s remarkable that it has taken this long for a writer to embrace the Mediterranean as a setting, even in part. Is there anyone out there writing an Irish crime novel set entirely on the south coast of Spain? Or, for that matter, Amsterdam? I know that Ava McCarthy’s forthcoming HIDE ME is set in the Basque region …
  Gerard O’Donovan, incidentally, is yet another former or current Irish journalist turning his hand to crime writing: the list, in no particular order, includes John Connolly, John Banville, Niamh O’Connor, Liz Allen, yours truly, Brian O’Connor, Gene Kerrigan, Colin Bateman, Conor Fitzgerald, Alex Barclay, Ingrid Black, Garbhan Downey and Ruth Dudley Edwards. Is there something about the Fifth Estate that turns a writer’s fancy to blood and gore? Is the daily grind of pursuing facts so punishing that it persuades an unsuspecting scribe to write fiction? Or is it that said authors wanted to be writers all along, and journalism was a substitute in order to earn a crust? Or is it simply the pursuit of the publishing game’s (koff) glamour?
  Answers on a used €50 note to Declan Burke’s Bouchercon Fund, c/o Funny Money Investments Inc., Grand Cayman, The Caribbean, The World. Alternatively, you could just leave a comment in the box below …