Saturday, April 24, 2010

On Putting The Lie Into Belief

At the risk of straying into Peter Rozovsky territory, I’ve been mulling over a feature on how crime fiction is being used by writers in settings not traditionally considered hotbeds of crime fiction - Poland, Brazil, the Palestinian Territories, Nepal - in order to broach taboos about the political system in which their characters live. I’m also reading Donna Leon’s A QUESTION OF BELIEF, which is pretty stark at times when it comes to cynicism about the ruling elite. To wit:
“How many times had he heard the people use the phrase, ‘Governo Ladro’? And how many times had he agreed in silence that the government was a thief? But in the last few years, as though some previous sense of restraint or shame had been overcome, there had been less attempt on the part of their rulers to pretend that they were anything less than what they were.”
  And later, in a court room:
“After all, much of what was being said was lies, or at least evasions and interpretations. The business of law was not the discovery of truth, anyway, but the imposition of the power of the state upon its citizens.”
  Has anyone else come across similar kinds of statements of intent by crime authors recently, and preferably writers from territories you wouldn’t immediately associate with crime fiction? The floor is yours …

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Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.