Monday, February 22, 2010

William Shakespeare’s 10 Rules O’ Writing

1. Write ye not a new tale if’t can at all be helped. Plunder thou yon histories, myths and pre-Renaissance Italian romances for plot, setting, character, structure, style and theme. If anyone notice, claim ye homage.

2. Makest thou heroine a maiden as young as is strictly legal.

3. Lest there be doubt on who be your varlet, give him a hump. Or a hooked nose. Or black skin. If ye can manage all three in one villain, have on.

4. A good title be half the battle. ‘Big Fuss About Nowt’ flyeth not.

5. A pox on reality. Toss ye in some ghost, fairy, witch and monster for good jizz. If ye can handle a haunted kitchen sink, have on.

6. If ye suffer from block, have your mistress take up the quill while you cane opium and give her daughter goodly tup. If ye be nabbed, claim research.

7. Ne’er miss a chance for identity mistook, for such wrangling be good for fifty page or more. If they be cross-dressers, ye’ll get a whole tale.

8. Prithee, no more than one monologue per page. Unless folio pages they be. But e’en then, no more than three, max.

9. If the pace should flag, lobbest thou in a ‘Gadsooks!’ or ‘Forsooth!’ Or have skewered a king, general, politician or prince. For the money shot, go with ‘Gadsooks, I be skewered, forsooth!’ The plebs love’t.

10. Once in while end your line with a rhyme / ’Tis posh as a turret and waste some more time.

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Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.