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Further to Adrian McKinty getting lumps kicked out of his latest novel, FIFTY GRAND, in the Irish Times this week, and in the interest of balance, we present a little nugget that slipped through the net from last month, in which Fintan O’Toole gits jiggy with James Joyce’s ULYSSES in – oh yes! – the Irish Times. To wit:
Is there a middle way between solemn worship on the one side and touristic antics on the other? How about thrillers? Anyone who can read a good thriller is half way towards being able to enjoy ULYSSES. Murder stories have a lot in common with Joyce’s masterpiece. They venture down the mean streets of the city. Their plots depend on a concentrated unfolding of time in which everything has to be carefully sequenced. Chance encounters acquire significance. The city, unknown at first, gradually yields up its hidden mysteries.
This is why thriller writers have long been drawn to ULYSSES and also why thrillers can serve as excellent introductions to the book. Adrian McKinty’s recent hard-boiled, fast-paced THE BLOOMSDAY DEAD is as dark and violent as any thriller fan could demand, but it also serves as an intelligent homage to ULYSSES – not so much to its content as to Joyce’s way of telling a story …
For the rest,
clickety-click here …
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