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What’s a little scary for yours truly – this with my writer’s pork-pie on – is the extent to which Irish writers have stepped up a gear in 2009. We’ve already had Declan Hughes’ finest novel to date, in ALL THE DEAD VOICES (not bad going, when you consider his previous novel, THE PRICE OF BLOOD, is up for an Edgar Best Novel), Gene Kerrigan’s superb DARK TIMES IN THE CITY, Colin Bateman’s funniest novel in years, MYSTERY MAN, Adrian McKinty’s excellent FIFTY GRAND, and Alan Glynn’s forthcoming WINTERLAND, which is tremendous. Ken Bruen’s collaboration with Reed Farrel Coleman, TOWER (due in September) is a whole new departure, and we still have to get a sniff of John Connolly’s THE LOVERS. Brian McGilloway has delivered his best to date with BLEED A RIVER DEEP, and Tana French, Arlene Hunt and Alex Barclay are currently beavering away on their latest projects.
Maybe 2009 will be seen as an annus mirabilis for Irish crime writing, but somehow I don’t think so – at least half of the writers mentioned above are relatively new to the game, and are still on their second, third or fourth novels. Exciting times, people. Very exciting times …
Meanwhile, the vid below is the book-trailer for Stuart Neville’s THE TWELVE. Roll it there, Collette …
Man, I can't tell you how much I'm looking forward to this one!
ReplyDeleteSeconded - anticipation is at fever pitch. And I'm glad I'm not the only one who believes Dragon Tattoo is vastly overrated (for a while I thought I was in a minority of one)
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