Showing posts with label Mulholland Books. Show all posts
Showing posts with label Mulholland Books. Show all posts

Tuesday, January 18, 2011

21st Century Boy

I have no idea of when it’ll go live, but at some point today Mulholland Books will begin serializing a new novel by Sir Kenneth of Bruen (right). It all sounds splendidly Dickensian, albeit in a 21st century kinda way, and would be even more Dickensian were it a Jack Taylor novel exploring the squalor of recession-hit Galway (sorry, Galway), with soot-blackened urchins being shoved up chimneys to discover corpses and whatnot. Anyway, you can clickety-click here for more
  In other news, yesterday I received a long awaited decision on the future of my own current tome, which is at the moment languishing under the improbable title of THE BABY KILLERS. The news, disappointingly, was a negative, although the disappointment has less to do with the fact that the book won’t be published any time in the near future (I’m well used to that at this stage) as it has to do with the potential publisher, a small but perfectly formed press with some radical ideas on the future of publishing. It’s a pity, but there it is; upward and onward.
  It now looks very much like I’m going to self-publish THE BABY KILLERS, aka BAD FOR GOOD, aka A GONZO NOIR at some point later this year. I’ve had a good scour around the interweb for self-publishing deals, and I’ve come to the conclusion that I can’t in all conscience, given these straitened times and the need to put food on the table, etc., pump even a relatively modest sum of money into a project just for the sheer vanity of being able to hold an actual book. And so I’ll be e-publishing THE BABY KILLERS, and pretending that I’m doing it to be on the cutting edge of technology, especially in the context of Amazon claiming that they’re now selling more Kindles than McBurger sells cheeseburgers, etc, yadda-yadda.
  For those of you who’ve been keeping an eye on this project, the principle behind it will remain the same: any monies accruing will be donated to charity. That won’t amount to much more than a hill of beans, and probably a lot less, because the price of the book will probably be in the $1 range. Still, it’s the thought that counts.
  As to what I’ll do once THE BABY KILLERS is out there, I really have no idea. I’ve a couple of stories I’d really like to write, and one in particular that simply won’t go away, so I have plenty of material to work with. Whether or not there’s an actual point to writing it, or them, is another matter entirely. Yes, it’ll be that uniquely perverse kind of masochistic fun that is writing, which is roughly 90% of the reason I write; but I can only delude myself for so long, and eventually the other 10% - actually presenting the story to other people for the purpose of reading it, if for no other reason than to justify the time you’ve wasted writing the bloody thing - will kick in. And where do I go then, with my oh-so-precious m/s clasped in my clammy hands? Being practical, there’s only so many times I can tell the Three Regular Readers of ye olde blogge that good times are just around the corner; at some point they’re going to lose interest, or worse, start pitying me. Better perhaps to just accept that I’ve had a good enough run at this point, a better run than I’d even allowed myself to imagine starting out, and simply fall on my sword.
  We’ll see. Right now my priority is to get DOWN THESE GREEN STREETS to the publisher on deadline, and see it ushered onto a bookshelf near you in all its pomp and glory; and once that’s done, I’ll crack on with e-publishing THE BABY KILLERS, and apologies in advance to all of you who, like me, prefer actual books to the electronic version. After that, well, who knows? Only time, that notoriously doity rat, will tell.

Saturday, August 28, 2010

I Love The Smell Of Paranoia In The Morning

Mulholland Books has been running some very interesting material over on its blog recently, and WINTERLAND author Alan Glynn pitched in this week with his take on ‘the Paranoid Style’, an excerpt from which runneth thusly:
It was never going to last that long. Golden ages rarely do. But for a while there in the 1970s, that’s what we had.
  Ten years after Richard Hofstadter coined the phrase “the paranoid style” (in a lecture he delivered just days before JFK was assassinated), the national traumas of Vietnam and Watergate were in full swing. Hofstadter’s point was that “they” weren’t out to get you at all — you really were being paranoid. But by the early ’70s, this paradigm had been shattered. The point now was that they really were out to get you, whether you knew it or not, and generally you didn’t until it was too late … Today, paranoia and conspiracy thrillers are dismissed as “voodoo histories” and pretty much seen as a debased form of entertainment.
  All of which might lead you to believe that things have changed for the better since the ’70s, that today’s government no longer spies on, or keeps things from, its citizens, that today’s corporations no longer put the profit motive before any moral consideration of their actions, or that Deep Throat’s exhortation in that underground parking garage all those years ago to “follow the money,” somehow, happily, doesn’t apply anymore. This, of course, would be to ignore the truth (undeniably out there), i.e., that since the ’70s there has been an utterly astonishing increase — exponential, Moore’s Law–like — in every form of electronic surveillance, in the influence, reach, and wealth of transnational corporations, and in the sinister privatization of the military-intelligence complex generally …
  For the rest, clickety-click here.
  For an interview (‘The Dark Art of Paranoia’) I conducted with Alan Glynn for the Sunday Times earlier this year, clickety-click here
Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.