All Decs On Hand

There has been, over the years, an occasional confusion between (or conflation of) Declan Hughes and Declan Burke, which will surely only be worsened by the fact that our current offerings – ALL THE THINGS YOU ARE and CRIME ALWAYS PAYS, respectively – are both published by Severn House as part of the ‘Celtic Crime’ imprint. I can only speak for myself, of course, but I’m quite pleased about this, because it means that I’m occasionally mistaken for a very good writer indeed.
  Anyway, in the interests of adding to the confusion, I’ll be appearing with Declan Hughes at the Dalkey Book Festival next month. The gist, according to the good people at the DBF, runs thusly:

There has never been so much interest in Irish crime writing and we are thrilled to have two of the best here for you this year.
  In an event called ‘Emerald Noir’, two of Ireland’s best crime writers, Declan Hughes and Declan Burke, take you through their favourite writers and discuss their own books in the context of current Irish crime fiction.

  The event takes place at The Masonic Hall at 12.30pm, Saturday 21st June. For all the details, including how to book tickets, clickety-click here …

Always Apologise, Always Explain

Off with yours truly today to interview Jonathan Dee, author of A THOUSAND PARDONS (Corsair), and I’m hugely looking forward to it (Dee is also the author of THE PRIVILEGES, which was a finalist for the Pulitzer Prize for Fiction in 2011). I read A THOUSAND PARDONS last week in what was essentially two stretches – it’s a deliciously readable novel, an intimate epic of familial breakdown that read to me like Jonathan Franzen’s FREEDOM should have. Quoth the blurb elves:

Ben and Helen Armstead have reached breaking point. Once a privileged and loving couple, widely envied and respected, it takes just one afternoon - and a single act of recklessness - for Ben to deal the final blow to their marriage, spectacularly demolishing everything they built together. Separated from her husband, Helen and her teenage daughter Sara leave their family home for Manhattan, where Helen must build a new life for them both. Thrust back into the working world, Helen takes a job in PR - her first in many years - and discovers she has a rare gift: she can convince arrogant men to admit their mistakes, spinning crises into second chances. Faced with the fallout from her own marriage, and her daughter’s increasingly distant behaviour, Helen finds that the capacity for forgiveness she nurtures so successfully in her professional life is far harder to apply to her personal one. A THOUSAND PARDONS is an elegant, audacious, gripping and sharply observed novel about a marriage in ruins and a family in crisis; about the limits of self-invention and the seduction of self-destruction.

  Jonathan Dee will be appearing at the Dalkey Book Festival on Sunday, June 16th. For all the details, clickety-click here …

On Literary Festivals And The Lesser-Spotted Irish Crime Writer

Hearty congratulations to all involved in ‘Bloody Scotland’, aka Scotland’s International Crime Writing Festival, the inaugural edition of which takes place in Stirling this coming September (artist’s impression, right), featuring the likes of Ian Rankin, Val McDermid, Peter James, Allan Guthrie, Denise Mina, Ann Cleeves, Tony Black, Karin Fossum, William McIlvanney and - oh yes! - the erstwhile Gregory, John Gordon Sinclair.
  It’s a very nice line-up indeed, and the best of luck to the Festival. Here’s hoping it’s the start of many a fine year’s skirling and, well, whatever it is the Scots do when there’s no one around to keep manners on them.
  A similar, Irish-themed event was run in Dublin a few years back, featuring the cream of Irish crime authors plus some interesting international guests, but it was pretty much a bust. It didn’t help that the event coincided with what turned out to be the only weekend of sunshine that summer, but even beforehand the advance sales had been sluggish. Is there an appetite among Irish readers to sit down and listen to writers talk about writing and books? Is it simply the case that Irish crime writers aren’t interesting enough to Irish readers to draw the crowds?
  There are two literary festivals taking place in Ireland in the next couple of weeks. The Listowel festival kicks off on May 31st, while the Dublin Writers Festival begins a week later, on June 4th. Unless you’re prepared to consider Aifric Campbell and Kevin Power crime writers - and I don’t think either author considers themselves a crime writer - then there isn’t so much as a whiff of cordite to be had at either festival.
  That’s a pity, because there’s some very interesting Irish crime writers publishing novels roundabout now: Conor Fitzgerald, Jane Casey, Tana French, Brian McGilloway, Niamh O’Connor, Conor Brady, Michael Clifford … But there’s more - or rather, less. Because the Dalkey Book Festival runs from June 15th to 17th, and crime writers are again conspicuous by their absence. Yes, the excellent Eoin McNamee will be in attendance, but running the eye over all the other contributors suggests that the organisers would be horrified to discover that McNamee is considered a crime writer in less than salubrious places; and Derek Landy is taking part, but I’d imagine that that’s on the strength of his success as a children’s author, as opposed to Skulduggery Pleasant being a wise-crackin’ undead private eye-type.
  And then there’s the West Cork Literary Festival, which runs July 8th to 14th and which is entirely devoid of Irish crime writers. It does, however, feature husband-and-wife team Nicci French, and another husband-and-wife team, Edward Marston and Judith Cutler. A pity there was no room for the Irish husband-and-wife writing team Kevin and Melissa Hill, but there you go, there’s no sense in being parochial about such things, is there?
  Meanwhile, and back to the Listowel Writers Festival, where there is a panel discussion on Thursday night, May 31st, titled (koff) ‘Towards a National Strategy on Literature’. To wit:

A panel discussion with The Minister for Arts, Heritage and the Gaeltacht Jimmy Deenihan, author Colm Tóibín, Sinéad MacAodha, The Irish Literature Exchange and Sean Lyons, Chairman of Writers’ Week. It is time that we develop a national literary and strategic policy in Ireland. We will take a step forward, evoke ideas, delve into where we are and where we are going … ask controversial but fundamental questions …

  ‘Delve into where we are and where we are going …’
  I could be very, very crude about where literary Ireland is right now, and cruder still about where it’s going. But that won’t solve anything.
  The knee-jerk reaction is to suggest that Irish crime writers should hold and host their own festival next year, along the lines of Bloody Scotland, or Harrogate or Crimefest in England, or the Bouchercon in the US; but Ireland is a small place, and there’s the very real danger of confirming the status quo, of reinforcing a ghetto mentality; like the standalone Crime Fiction category at the Irish Book Awards, it suggests that Irish crime writers need to be corralled off from real books, from proper fiction, and given a special award and a pat on the head.
  The irony is that it’s Irish crime writers who are ‘delving into where we are and where we are going’ as a nation, but it’s a real Catch 22 scenario right now for Irish crime writers: if you demand attention, you’re accused of special pleading; if you shrug and grit your teeth, you’re ignored.
  So what to do?
  Over to you, people. I’m all ears …