It was after Dead I May Well Be, his New York novel, came out in 2004 that McKinty first considered writing about Northern Ireland. He had originally pitched a cop show set in ‘70s Belfast along the lines of The Sweeney.For the rest, clickety-click here …
“Seventies nostalgia with the added frisson of the Troubles in the background. They couldn’t have been more horrified. This guy said ‘we won’t be able to sell it in Northern Ireland, nobody wants to watch anything to do with the Troubles; we can never sell it across the water in England – they just want to forget it ever happened. And as for selling it to the US, that’s a joke; they have a very nostalgic view of what Ireland is’.”
Although there had been novels about Belfast and the Troubles – Brian Moore’s Lies of Silence and Glenn Patterson’s The International, for example – everyone he asked told him the same thing: don’t touch the Troubles. And he took the message on board for years. But a few years back he had his epiphany – the thing that no one wants you to write about is exactly what he should be writing.
Wednesday, March 4, 2015
Interview: Adrian McKinty
Jason Steger interviewed Adrian McKinty for the Sydney Morning Herald last week, most of the conversation centring on the Sean Duffy series of novels, of which GUN STREET GIRL (Serpent’s Tail) is the latest. Sample quote:
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Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.
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