A tabloid star is killed in a helicopter crash and three years later a young journalist is warned off the story. A private security contractor loses it in the Congo, with deadly consequences. In Ireland an ex-prime minister struggles to contain a dark secret from his time in office. A dramatic news story breaks in Paris just as a US senator begins his campaign to run for office. With echoes of John Le Carré, 24 and James Ellroy, Alan Glynn’s follow-up to WINTERLAND is another crime novel of and for our times – a ferocious, paranoid thriller that moves from Dublin to New York via Central Africa, and thrillingly explores the legacy of corruption in big business, the West’s fear of China, the role of back room political players and the question of who controls what we know.Sounds like a cracker, but stay! There’s more. Ken Bruen wades in with a cover blurb that runs thusly: “The debate is over - BLOODLAND is the great Irish novel, no argument.” - Ken Bruen
Interesting, I think, that Ken Bruen doesn’t claim that BLOODLAND is the great Irish crime novel, but the great Irish novel. Is it the case that, given what Ireland has been through in the last number of years, the current generation of Irish writers are doomed to engage with crime and criminality? Is it that Alan Glynn doesn’t write conventional crime novels? Either way, Ken Bruen has just ratcheted up the expectations for BLOODLAND, which arrives on September 1st, by yet another notch or two …
UPDATE:
A little birdie gets in touch, in the wake of this post, to tell us that a certain Val McDermid has read BLOODLAND, and appears to quite like it. To wit:
“Ripped from tomorrow’s headlines, BLOODLAND is irresistible. An exhilarating thriller from the dark heart of the global village.” - Val McDermidVery, very nice indeed …
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