Were we physiologically capable of having another blog’s baby, we’d be snuggling up under the duvet with International Noir right now. We loves ya, baby!“Burke’s The Big O … moves out of classic pulp-noir territory into a kidnap caper with style and plotting more like Elmore Leonard (or maybe Donald Westlake) than Dashiell Hammett or Raymond Chandler … The result is a kaleidoscopic narrative that moves forward at a rapid pace – and the result is also quite funny, in the way that Leonard’s novels are frequently funny: expectations are overturned, characters move inexorably toward an unforeseen climax, and we glide past unbelievable coincidences without hesitation … The Big O is, ultimately, a crime farce of the first order (that is to say, it stands up very well to the Leonard comparison …) … the plotting seems casual, unplanned, with the random pattern of life – but looking back, the story is as tightly structured as a jigsaw puzzle … I highly recommend The Big O, and wish for the sake of its potential readership that it soon finds wider distribution – in the U.S., for example …”
Sunday, June 17, 2007
The Embiggened O # 235: Bring On The Dancing Trumpets
Crumbs! Not content with bigging up Eightball Boogie a few weeks ago, International Noir has gone and love-bombed our humble offering The Big O, to wit:
Subscribe to:
Post Comments (Atom)
Declan Burke has published a number of novels, the most recent of which is ABSOLUTE ZERO COOL. As a journalist and critic, he writes and broadcasts on books and film for a variety of media outlets, including the Irish Times, RTE, the Irish Examiner and the Sunday Independent. He has an unfortunate habit of speaking about himself in the third person. All views expressed here are his own and are very likely to be contrary.
Indeed. That's pretty much a home run on the reviews front. Bitchin!
ReplyDelete