Fixed, Like A Chicken Bone

Movies And Shakers

Irish movies are, for the most part, a load of pants. There are good reasons for this, not least of which is the all-important issue of finance, or lack thereof, but as often as not hamstrung from the off by scripts that are – there’s no gentle way of putting it – not good. In the past couple of weeks alone I’ve seen Situations Vacant and Happy Ever Afters, both of which appear to have been written by people who haven’t seen a movie since the mid-’70s.
  That said, this week sees released on DVD two Irish movies that at the very least tried to shake things up for the indigenous film industry, although I’ll allow that I’m biased towards Anton (2008) because I know one of the producers. Still, for a movie that was independently made, and for a budget of around €500,000, it’s a minor triumph. To wit:

Ireland, 1970s. Returning home to County Cavan after five years at sea, Anton O’Neill (Anthony Fox) finds himself sucked into the Troubles that have erupted across the border in Northern Ireland. A political innocent, he becomes a pawn in the hands of ruthless terrorists, all the while striving to stay one step ahead of the hardboiled Detective Lynch (Gerard McSorley). With a baby on the way, Anton has big decisions to make – but he’s quickly discovering that sometimes it’s the decisions that make you. Made on a miniscule budget, Anton at times displays the kind of naïveté that bedevils Anton himself, and some of the dialogue is unforgivably clunky. For all that, and particularly given its humble origins, the movie represents something of a call to arms to the indigenous film industry, especially in the context of the series of more lavishly funded and abysmally executed Irish movies we’ve been subjected to in the last couple of years. Vivid cinematography and strong performances in the key roles make for a compelling drama, with Fox (who also wrote the script) marking himself out as a name to watch.

  Re-released this week is Adam & Paul (2004), which may well be the best Irish movie ever made. To wit:

Lenny Abrahamson’s Adam & Paul is a rough diamond that follows ‘dying sick’ junkies Adam (Mark O’Halloran) and Paul (Tom Murphy) on their day-long purgatory through inner-city Dublin as they try to beg, borrow, scam or steal the money that will get them their next fix, with only an occasional toke to take the edge off. If that sounds like a bleak prospect, then be assured that script-writer O’Halloran has read and appreciated Beckett for his combination of black despair and blacker humour: rather than wait around for the elusive Godot, our latter-day Pozzo and Lucky tramp the streets in a Ulysses-style odyssey, encountering various friends, enemies and (for the most part) people who veer clear. Abrahamson makes wonderful use of Dublin’s grimmer environs, O’Halloran has a wonderful ear for vernacular dialogue, and the central roles are excellently played, with Murphy just about claiming the laurels. Hauntingly dark and frequently touching, Adam and Paul is also hilarious: when the pair mistake a Bulgarian (Caramitru) on a park bench for a Romanian refugee, the enraged Bulgarian denounces Dublin as ‘a shit-hole’ on the basis that the city is full of “maniacs, liars and fucking Romanians.” Assured and provocative, albeit indulgently sympathetic to its characters’ addiction, this as good a film as you’ll see all year.

“Ya Wanna Do It Here Or Down The Station, Punk?”: Brendan Garner

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
SACRIFICE OF FOOLS by Ian McDonald. It’s a fascinating crime and science fiction crossover set in a futuristic Northern Ireland. Well, futuristic when it was written. We’ve caught up with it now. But even reading it today it can be very cool to see how many of McDonald’s ideas and predictions on Belfast society have come true. Only thing missing is the aliens ... so far.

What fictional character would you most like to have been?
Faust. I’d have driven a harder bargain, though.

Who do you read for guilty pleasures?
Conspiracy websites.

Most satisfying writing moment?
Starting a brand new project.

The best Irish crime novel is …?
That’s a tough one. There are so many. I’ll go with PRIEST by Ken Bruen, though I may change my mind when I read the next Jack Taylor. I hear it’s got some supernatural stuff in it ...

What Irish crime novel would make a great movie?
DEAD I WELL MAY BE by Adrian McKinty. I imagine the soundtrack would kick ass too.

Worst / best thing about being a writer?
The worst thing is that you can’t experience anything without wondering how you might use it in a piece of writing. The best thing is that it drives you to try new stuff because you need to have life experience before you can write what you know (to whatever degree you follow that idea).

The pitch for your next book is …?
I’ll work on that when it’s ready for submission.

Who are you reading right now?
John Connolly’s THE GATES. It’s class.

God appears and says you can only write OR read. Which would it be?
As long as he doesn’t make this crazy demand before I sell my soul to become an internationally acclaimed novelist, he won’t have enough clout to force a decision.

The three best words to describe your own writing are …?
Good aul craic.

Brendan Garner’s POSSESSION, OBSESSION AND A DIESEL COMPRESSION ENGINE is available now.

The Irish Crime Novel Of The Year: And The Winner Is …

Last week I mentioned that I’d asked as many Irish crime writers as I know to vote on their favourite novel(s) of the year, in 1-2-3 order, with each first preference getting 10 points, second getting five points, and third preference getting one point. The results are as follows:

THE TWELVE by Stuart Neville (32)
THE LOVERS by John Connolly (21)
DARK TIMES IN THE CITY by Gene Kerrigan (17)
WINTERLAND by Alan Glynn (15)
ALL THE DEAD VOICES by Declan Hughes (15)
FIFTY GRAND by Adrian McKinty (11)

  Personally, I think all six are terrific novels, and I’m not just woofing: I think that any country, regardless of its size, should be proud of producing six novels of that quality (in any genre or none) in a given year. The bar has been well and truly raised, and it augurs well for 2010.
  One point I think worth making is that Alan Glynn’s WINTERLAND was published only three weeks ago, which meant that it was unfairly handicapped by time. Had it had a six-month run, as most of the other novels had, I believe it would have received more votes.
  It’s also worth mentioning that Stuart Neville is the only debutant author on the shortlist of six, which makes his win even more impressive. I say ‘impressive’ not because the poll was organised through Crime Always Pays, which makes it a small enough thing in itself, but because it was voted top of the pile by his peers, which – were it me – would give the gong a priceless value.
  Finally, there’s a prize going for those who guessed the right 1-2-3 order via the comment box on the post announcing the shortlist, and while no one got it exactly right, I believe that ‘Bill H’ and ‘Speccy’ came closest in that they both predicted THE TWELVE would win, and also mentioned THE LOVERS in their Top 3. If those folks want to drop me a line letting me know their address, some books will be in the post forthwith.
  Thanks to everyone who joined in the fun, and congratulations to Stuart Neville, a thoroughly well-deserved winner of the 2009 Irish Crime Novel of the Year.

Deadlier Than The Male

Yes, yes, 2009 was a terrific year for the Irish crime novel, blah-de-blah. But it was all a bit, well … blokey. Next year, the ladies are back with a vengeance – literally, in some cases. Arlene Hunt has just posted the very snazzy cover to her latest tome, BLOOD MONEY, in which Sarah Kenny and John Quigley of QuicK Investigations are back in business – albeit without the missing Sarah. Can John cope? Given the man’s previous form, I have my doubts, but all will be revealed on March 4th …
  Tana French is also back in the game next year, after a year out, with FAITHFUL PLACE. This one features Frank Mackey, the handler who ‘ran’ Cassie Maddox in THE LIKENESS, and is another sequel-of-sorts in the sense that it develops a relatively minor character from a previous novel into a main protagonist. “This one spins around family,” says Tana, “the way THE LIKENESS spun around identity.” Nice. The bad news? It isn’t due until July 13th … Boo.
  Aifric Campbell’s debut THE SEMANTICS OF MURDER was well received as a literary thriller when it appeared last year: “A storyteller of really immense gifts. She combines a unique sensibility with a prose of shimmering beauty,” said Joseph O’Connor. So hopes are high for the follow-up, THE LOSS ADJUSTOR, which arrives on February 25th. Details are still sketchy on the content, with Amazon’s book description contenting itself with, “Haunting and humane, THE LOSS ADJUSTOR speaks of grief, forgiveness and redemption.” Consider our breath well and truly bated …
  Busily beavering away over in Clare’s beautiful Burren, Cora Harrison appears to have grown an extra arm or three. Not only will she be publishing EYE OF THE LAW on March 25th, the latest in the Brehon series featuring the investigator Mara, she’ll also be publishing the YA novels I WAS JANE AUSTEN’S BEST FRIEND, also in March, and THE MONTGOMERY MURDER, in May. Crikey. That makes me feel like the laziest slacker in Christendom …
  There’s at least one debutant next year, when Niamh O’Connor publishes IF I NEVER SEE YOU AGAIN, a police procedural featuring Detective Inspector Jo Birmingham – although, to be strictly pedantic about it, O’Connor has published a number of true crime books to date. Will her day job as a crime reporter with the Sunday World give her a cutting edge when it comes to crime fic? Only time, that notoriously doity rat, will tell … IF I NEVER SEE YOU AGAIN appears on April 29th.
  Ava McCarthy debuted last year with THE INSIDER, and the follow-up, THE COURIER, again features that novel’s protagonist, feisty IT girl Harry Martinez. Last time out, Harry’s trials took her from Dublin to the Caribbean; this time she’s off to South Africa and the illegal diamond trade for her most audacious heist to date. THE COURIER delivers on April 15th …
  Another McCarthy, this one of the Ellen variety, publishes SILENT CROSSING on December 20th, a follow-up (but not a sequel) to 2008’s GUILT RIDDEN. Melanie is a woman with blood on her hands (literally, as she walks into a Garda Station) and a missing boyfriend. But the secrets of Raven House mean that nothing is as it first appears …
  Lastly, but by no means leastly, Alex Barclay returns to the fray with TAINTED, a follow-up to BLOOD RUNS COLD which features FBI agent Ren Bryce and is again set in Colorado. BLOOD RUNS COLD won the inaugural TV3 / Irish Book Awards crime fiction gong, so expectations are higher than usual. TAINTED hits a shelf near you in the near future, although confusion reigns as to exactly when: according to some sources it’s today, December 1st, but others are saying it’s as far away as next October. Can anyone out there clarify?